Cailee Spaeny

Jacob Elordi

Ari Cohen

Dagmara Dominczyk

Tim Post

Lynne Griffin

Dan Beirne

Rodrigo Fernandez-Stoll

Dan Abramovici

Matthew Shaw

Tim Dowler-Coltman

R Austin Ball

Olivia Barrett

Stephanie Moore

Luke Humphrey

Deanna Jarvis

Jorja Cadence

Josette Halpert

Evan Annisette

Stephanie Moran

Daniel Lipka

Raine Monroe Boland

Emily Mitchell

Kamilla Kowal

Gwynne Phillips

Conni Miu

Megan Dallan

Tonia Venneri

Erin Mackinnon

Mary Kelly

Paige LeBlanc

Anna Mirodin

Sarah Dodd

Alanis Peart

Kelaiah Guiel

Andrew Mackay

Kelly Irene Whyte

Shawn Gordon Fraser

Kassandra C.A. Gray

E. Fegan DeCordova

Kelly Penner

Jacqueline Robertson Cull

Trisha Harris

Thomas Mars

Christian Mazzalai

Laurent Brancowitz

Cliona Furey

Jon Chan

Eric Kawilarang

Heather Hollett French

Andrew M. Robinson

John Buchan

Ryan Joe Allam

Nelson Ferreira

Nicole Daniels

Sinisa Gudicek

Stephen Barden

Joe Schroeder

Justin Gajewski

Dawn E. Rivard

Brannek Gaudet

Deck d'Arcy

Steve Foster

Patricia Cuccia

Michael L. Hall

Courtney Bright

Shirin Rashid

Jason Knight

Sofia Coppola

Roman Coppola

Aric Dupere

Michael Innanen

Philippe Le Sourd

Lorenzo Mieli

Sarah Flack

Stacey Battat

Priscilla Presley

David McCallum

Stefana Fratila

Christopher Guzman

Jo-Ann MacNeil

Tamara Deverell

Chris Hatcher

Danny Haeberlin

Patricia Boulden

Randall Poster

Fred Roos

Youree Henley

Charles Finch

Bumble Ward

Sandra Harmon

Sabrina Lantos

Neil Mathieson

Simone Quinlan

Peter Harvey

Jasper Vrakking

Alicia Turner

Nick Stead

Geoff Meech

Maxime Laurin

Dustin Faith

Erica Milo

Stevan Mitrović

Drama

Romance

Priscilla

The Apartment Pictures

American Zoetrope

Italy

United States of America

English

jealousy

husband wife relationship

1970s

drug addiction

biography

coming of age

singer

fame

mansion

based on memoir or autobiography

underage girlfriend

autobiographical

woman director

abusive marriage

1960s

grooming

gilded cage

Manuel São Bento

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/priscilla-mini-review

"Priscilla navigates the familiar territory of biographical storytelling, offering a nuanced exploration of Priscilla Presley's life.

Cailee Spaeny's career-best performance skillfully delves into the complexities of a toxic relationship with Jacob Elordi's also convincing portrayal of Elvis. Sofia Coppola authentically captures Priscilla's struggles with love and fame, though it occasionally falls into a repetitive narrative.

Still, in the end, Spaeny's compelling portrayal elevates the film so much that I definitely recommend it for fans of the genre and/or subject matter."

Rating: B-

Just rather uninteresting, on film terms at least.

It <em>is</em> interesting seeing the film portray a different type of version of Elvis Presley, one that is uncomfortable to watch unfold but one that ought to be told. That's where anything noteworthy I have to say about this release ends, though. As a movie, it's rather boring. I'm not convinced there's enough to be told across a full blown picture, at least not one around 1hr 45mins in length. I will say that Cailee Spaeny puts in a solid display as the titular character, in fairness.

Jacob Elordi as Elvis, in my opinion, isn't a positive to be honest. If I didn't know he was playing Elvis I genuinely wouldn't have guessed he was playing the singer, aside from a few outfits and the twisty bit of hair in his fringe. Accent particularly seemed off to me too, Elordi amusingly (given the director's connection) sounds more like Nicolas Cage (c. 1997, <em>'<a href="https://letterboxd.com/film/con-air/" rel="nofollow">Con Air</a>'</em>, Cameron Poe) on phone call scenes.

It's competently put together visually at least, though overall I can't honestly say this made a mark on me personally. I don't feel like I learnt anything about 'Priscilla' herself. I doubt I'll remember this one long term, sadly.

CinemaSerf

Having recently watched Bradley Cooper's "Maestro" (2023) and "Tchaikovsky's Wife" (2022) I was wondering if Sofia Coppola was about to bowl us a bit of a googly about Elvis here after half an hour! The young Priscilla (a competent Cailee Spaeny) is invited to meet him (Jacob Elordi) in Germany where both he and her father are serving in the US military. Not yet 16, she is chaperoned to his home where it's quite clear they take a shine to each other. He returns home and after a while sends for her to come visit Graceland. She's totally besotted by this stage and what follows tells us the story of their burgeoning relationship. It's got to be said, that's not always plain sailing - he is hugely charismatic, but has a temper, is controlling, and is very career-minded. He's also not that interested in consummating their relationship, either! History tells us the rest and with the lady herself executive producing we're not going to stray very far from the facts - as she saw them - that gripped the tabloids and the world. It's curious that her parents would have allowed their pubescent daughter to go live with a millionaire rock star half a world away, and of course once she's there she is soon taking his uppers and downers like a trooper to stay the pace. At times, it's quite a potent look at just what both wanted from the relationship, and at how it becomes clear that it is impossible for both to reconcile their aspirations with their desired obligations to/of each other. It also shows us the increasing lack of a sense of self-worth or fulfilling continuity to her increasingly lonely existence. That's a well-made point in illustrating just how shell-like her day to day life was as she had access to unlimited funds but not to any palpable feelings of being needed or loved. Talking of pace, though, that's one of the things that I found really let this down. He is home, then he goes away, makes a film, has "alleged" affairs, comes home then does it all over again. Also, there is a real lack of his music here. Not that it's supposed to be about him, but it was an integral part of his allure and his personality - not to reflect that rendered his character rather charm-free and the rather bland Elordi hasn't really the skills to imbue his character with much, well, character on his own. I am afraid that I found this all just a bit shallow and though beautifully set, just too sterile a look at the turbulent life of those two people. It just lacks passion, power and substance.

Brent Marchant

When a film seeks to depict the life story of a beloved public figure, it generally works best when it paints a comprehensive portrait of said individual. However, in this biography of the wife of rock ʼn roll icon Elvis Presley, viewers get a picture that seemingly tells only half of the story. Writer-director Sofia Coppola’s latest focuses on the years Priscilla Presley (Cailee Spaeny) spent with Elvis (Jacob Elordi). They embark on a sincerely loving relationship that, sadly, falls prey to problems with drugs, firearms, infidelity, prolonged separations and control freak tendencies, conditions – largely initiated by Elvis – that eventually lead to their separation (and at times cause the film to be more about him than her). Regrettably, the choice of this narrative leaves out the many significant personal and professional accomplishments of Priscilla’s life on her own, an inspiring story that’s completely (and perplexingly) overlooked. As a consequence, viewers are primarily shown a profile of a predominantly subservient character who rarely rebels until she finally somehow musters up the courage to leave (where did that trait come from?), with nothing about the successes that followed. In addition, there are many story threads that feel unresolved or underdeveloped, leaving audiences hanging about what comes from them. To its credit, “Priscilla” is, in several respects, some of the best (though surprisingly most conventional) work that Coppola has produced as a filmmaker, as evidenced in the cinematography and editing and in Elordi’s balanced portrayal of Elvis. But, like other of Coppola’s efforts, this offering could still use some tidying up in the writing, character development and overall story structure. The wife of a King truly warrants better treatment.

Get the Look

"I'm just afraid you'll forget me..."

"That doesn't suit you, baby."

Elvis Presley meets Priscilla for the first time and sparks fly

Elvis Presley Gives Priscilla a Makeover

MUBI Intro by Sofia Coppola

Official International Trailer #2

Official Interview with Sofia Coppola

Official Interview with Cailee Spaeny

Official Interview with Jacob Elordi

I Don't Know If I Like It

In cinemas now

Leaving For Las Vegas Scene

Consider it approved.

Sofia Coppola on seeing Jacob Elordi transform into Elvis Presley | My Film Firsts with BAFTA

Priscilla Presley Breaks Down Scenes From 'Priscilla'

Official Preview

Jacob Elordi on what it was like to play Elvis

Coming Soon

'Priscilla' with Jacob Elordi, Sofia Coppola & more filmmakers | Academy Conversations

Official International Trailer

Tlr Launch Global Portrait InCinemasDec26

Exclusive First Look

Cailee Spaeny, Jacob Elordi & More on Shifting the Narrative in Sofia Coppola's Priscilla

Cailee Spaeny, Jacob Elordi, and Priscilla Creative Team on Sofia Coppola's Biopic

Official Trailer

Official International Teaser

Official Teaser

Priscilla( 2023)

Wife to the king. Icon to the world. Destined for more.

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A review by Manuel São Bento

Written by Manuel São Bento on Sun Dec 03 2023

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