Nicolas Cage

Dennis Hopper

Lara Flynn Boyle

J. T. Walsh

Timothy Carhart

Dan Shor

Dwight Yoakam

Craig Reay

Vance Johnson

Robert Apel

Bobby Joe McFadden

Dale Gibson

Ted Parks

Babs Bram

Robert Guajardo

Sarah Sullivan

Michael Ruud

Peter Kevin Quinn

Jeff Levine

Shawn Michael Ryan

Barbara Glover

Robert Beecher

Jody Carter

William Olvis

Steve Golin

Scott Chestnut

Michael Kuhn

Rick Dahl

Sigurjón Sighvatsson

John Dahl

Marc Reshovsky

Jane McGann

Keith Campbell

Don Diers

Kate J. Sullivan

John Carl Buechler

Lynn Weimer

Aron Warner

Terry Dresbach

Robert Pearson

Carol Lewis

Tim Clawson

Philip Rose

Karl Owens

Stephen Rocha

Vincent Landay

Peter Pearce

Michael E. Gips

Raymond Gonzales

Larry Shapiro

Gary W. Shaw

Nancy Karlin

Suzanne Tenner

Yehuda Maayan

Jon Massey

Dana Arnold

Levon Besnelian

Mark Weingarten

Beth DePatie

Michael McCue

Robert Eyslee

Mike Topoozian

Jeff Caulfield

Fred Gibson

Lori Eskowitz

Rick Barker

Frank Ceglia

Dean Gates

Jonathan R. Hodges

Rohn Schmidt

Dan Bradley

Charlie Carpenter

Patty York

Fríða Aradóttir

Don Ruffin

Mark Shane Davis

Scott Alan Cook

Mark R. Byers

Crime

Drama

Thriller

Red Rock West

Propaganda Films

PolyGram Filmed Entertainment

Universal Pictures

United States of America

English

vietnam veteran

sheriff

wyoming, usa

hitman

gas station

cemetery

motel

money

murder

bag of money

criminal

unemployment

war injury

oil rig 

wife murder

neo-noir

Steve

A bit dated looking at it over 20 years later, but still entertaining.  A slick neo-noir that helped revive the genre.

All Roads Lead To Intrigue.

Red Rock West is directed by John Dahl who also co-wrote the screenplay with his brother Rick. It stars Nicolas Cage, Dennis Hopper, Lara Flynn Boyle, J. T. Walsh and Timothy Carhart. Music is by William Olvis and cinematography by Marc Reshovsky. 

When a promised job in Wyoming fails to materialise on account of an injury sustained in combat, Michael Williams (Cage) drifts into the town of Red Rock and is mistaken in a bar for a hit-man hired to kill an unfaithful wife. Tempted by the high cash on offer, Michael plays along and promptly finds himself in a web of intrigue from which escape is looking unlikely 

Welcome To Red Rock/You Are Now Leaving Red Rock. 

The studio didn't know what to do with it, a neo-noir flavoured with contemporary Western spices. Put out on cable in America and thriving on its limited release in Europe, it started to gain a cult fan-base. More so after a theatre in the Frisco Bay area started showing it and it made considerable coinage. Today it still remains more of a cult piece than anything else, which while it deserves more accolades and exposure, is still kind of nice for the fans, because it's like we have our own little neo-noir treasure all to ourselves. 

Red Rock West is essential for the neo-noir heads and well worthy of inspection by the average modern day crime film fan. Plot wise it's a bit, shall we say iffy? Yet the twists, turns and characterisations are so deftly constructed and performed, it matters not a jot. Cage's ex- marine is an honest and decent guy who whilst down on his luck - punished for his honesty - finds himself in a vortex of mystery and murder that he can't escape from. His companions in this scenario are film noir staples, the femme fatale (Boyle) with a smoulder as big as her secret, the hit-man (Hopper) with a glint in his eye to accompany his callous leanings, and the shifty bar owner (Walsh) trying to off his wife whilst keeping his shady cards close to his chest. 

As the tricksy plot unfolds in a haze of bad judgements and untruths, further pulsed by the vagaries of fate, it becomes apparent that Dahl wants us to know it isn't taking itself too seriously. There's a glorious scent of dark humour hanging in the air, an unpretentiousness about the whole thing that's refreshing. The look and feel is perfect for the narrative, the colour is stripped back to create a moody atmospheric surround, while the score and sound-tracking immediately brings to mind country and western tales of woe. Dahl knows his noir onions, but this is not just a homage hat tipper to the past, he understands what works in noir, be it the blending of the quirky with the edgy, or scene setting in locales such as a colourless bar and a foggy cemetery, Dahl gets the key ingredients right to deliver the goods wholesale. 

The small cast come up trumps. Boyle as Suzanne Brown is weak if her femme fatale is pitted against the likes of Matty Walker or Bridget Gregory, but it's an adequate performance that doesn't hinder the picture. She is helped enormously, though, by having to share most scenes with Cage who brings his "A" game. Consistently inconsistent throughout his career, Cage, when on form is a joy to watch, here he gets to thrive as a put upon hero, shifting seamlessly between confusion and boldness, where incredulous looks are the order of the day with a side order of eccentric intensity. Hopper does what he does so well, amusing villainy, while Walsh is effortlessly menacing and suspicious. In small secondary support Carhart and country star Dwight Yoakam leave favourable impressions. 

This is not an edge of your seat thriller, or a cranium bothering piece of dramedy, it's neo-noir done right. Where morality is grey at best and money is the root of all evil, it's slick, playful, cold blooded and absorbing. Hooray! 9/10

Cinématographe Blu-ray Promo Trailer

Official Trailer: Red Rock West (1993)

Red Rock West( 1993)

Where nothing is as it seems.

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A review by Steve

Written by Steve on Sat Jun 25 2016

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