Cillian Murphy

Emily Watson

Michelle Fairley

Eileen Walsh

Zara Devlin

Clare Dunne

Helen Behan

Ella Cannon

Patrick Ryan

Peter Claffey

Ian O'Reilly

Sarah Morris

Cillian O'Gairbhi

Tadhg Moloney

Liadán Dunlea

Giulia Doherty

Rachel Lynch

Aoife Gaffney

Faye Brazil

Agnes O'Casey

Louis Kirwan

Mark McKenna

Joanne Crawford

Aidan O'Hare

Ryan Waters

Maire Ni Ghrainne

Patricia Twomey

Abby Fitz

Amy De Bhrún

Vega Farrelly

Clare Monnelly

Helen Gregg

Hugh McAllister

Tom Leavey

John McCarthy

Lynn Johnson

Zoë Gibney

Daire Glynn

Tanya Rosen

Bert Aerts

Guillaume De Bergeyck

Hugh Fox

Matthias Hillegeer

Senjan Jansen

Olivier Thys

Jelmen Palsterman

Sam R. Green

Simon Magee

Sean Leonard

Eimear Ennis-Graham

Kevin Halloran

Lorraine Hewson

Michael Joe

Catherine Magee

Alan Moloney

Susan Mullen

Gitte Nuyens

Jeff Robinov

Bert Van Dael

Sasha Veneziano

Drew Vinton

Maureen Hughes

Alain Dessauvage

Frank van den Eeden

Paki Smith

Irene O'Brien

Alison McCosh

Isaac E. Gozin

Áine Máire Ní Tháibhís

Tim Mielants

Enda Walsh

Matt Damon

Ben Affleck

Claire Keegan

Danny Hargreaves

Kevin McManus

Hansjeet Duggal

Eimear O'Grady

Norman Kelly

Bart Bleuze

Phillip Gaffney Gaffers

Orlagh Collins

Drama

Small Things Like These

Artists Equity

Big Things Films

Wilder Content

Fís Éireann/Screen Ireland

Belgium

Ireland

United States of America

English

based on novel or book

1980s

magdalene asylum

<em>'Small Things Like These'</em> is absorbing.

I basically got exactly what I expected from this one. It's a slow burn, quiet film featuring a stellar, if somewhat understated, Cillian Murphy performance. The pacing is spot on and the story is undoubtedly engrossing, it's one that holds plenty of emotion behind it.

It does conclude rather abruptly, I in fact overheard someone nearby remark "that can't be it" when the cut to black happens. That isn't, for me anyway, a bad thing though. Again, I kinda anticipated it being a movie that would simply tell its tale and end, which is certainly what it does.

It is very much Murphy that stands out from these 98 minutes, but credit is still due for the likes of Eileen Walsh, Emily Watson and Zara Devlin in their respective supporting roles. No-one onscreen puts a foot wrong. All in all, it's evidently a supremely well made picture - one I'd recommend!

CinemaSerf

A friend of mine used to own a big gay bar in Dublin, and I recall being in it the day that marriage was legalised in Eire. One of the women celebrating was telling us of her childhood at the hands of the nuns in the 1970s. It was a ghastly story of women who hadn't an ounce of compassion between them all, and this film picks up that cudgel and swings it squarely at what it is little better than a religious equivalent of a Dickensian workhouse. The story is told from the perspective of local coal merchant "Bill" (Cillian Murphy) who lives with his wife and five daughters in a small town in Co. Wexford. Nobody has much money and some are reduced to gathering wood from the forest floor to heat their homes. By comparison, his family are quite well off and with Christmas looming all are anticipating a good family time. He supplies the local convent-cum-orphanage where the unwed girls of the community are deposited when they get in the family way, and it's here that he encounters a young lass locked in the coal shed. Freezing and terrified, he wonders how she got herself trapped in there - and that's where the story starts to focus on not just the inhumanity that prevailed, but on the internecine, web-like, tendrils of a church that brooked no resistance or interference. If you want a "peaceable life" then you'd best leave well alone. Can he, though? He is frequently reminded of his own childhood. One of tragedy, kindness, an hot water bottle and a jigsaw puzzle. "Bill" is a troubled man who has much to mull over as his conscience refuses to accept the societal compromises even his wife (Eileen Walsh) might prefer he adopt in the face of what he has now witnessed. This is definitely a less-is-more film, with an effective paucity of dialogue and a sense of oppressiveness that frequently overwhelms with it's simplicity. The setting demonstrates a degree of menace way more poignantly than any horror film, but horror this is - and an illustration of cruelty in it's most devastatingly subtle form. Murphy shines here, his performance allows his character to take us with him as we all observe a scenario unfold that might not have been out of place in 1885 - but in 1985? Not an easy watch, but well worth ninety minutes of your time.

Cillian Murphy’s Oscar Followup? Producing ‘Small Things Like These’

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Small Things Like These( 2024)

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A review by r96sk

Written by r96sk on Fri Nov 01 2024

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