Marilyn Monroe

Clark Gable

Eli Wallach

Montgomery Clift

Thelma Ritter

James Barton

Kevin McCarthy

Estelle Winwood

Rex Bell

John Huston

Peggy Barton

Ryall Bowker

Frank Fanelli Sr.

Bobby LaSalle

Philip Mitchell

Walter Ramage

Ralph Roberts

Dennis Shaw

J. Lewis Smith

Marietta Tree

Alex North

George Tomasini

Frank E. Taylor

Russell Metty

Arthur Miller

James Malone

Jack N. Young

Cole Palen

Cline Jones

Ted White

John Gaudioso

Chuck Roberson

Bertha French

Bill Babcock

John Daheim

R.D. Cook

Bunny Gardel

Elaine Walker

Stu Linder

Loren Janes

Ann Toth

Jean Louis

Sydney Guilaroff

Frank Prehoda

Tom Shaw

C.O. Erickson

Carl Beringer

Agnes Flanagan

Stephen B. Grimes

Edward Parone

Rex Wimpy

Billy Jones

Charles Grenzbach

Angela Allen

Frank La Rue

Bill Newberry

Allan Snyder

Frank R. McKelvy

John Nostri

Eddie Pyle

Shirlee Strahm

Harry L. Underwood

Charles Cowie

Western

Drama

Romance

The Misfits

United Artists

Seven Arts Productions

Metro-Goldwyn-Mayer

United States of America

English

rodeo

reno, nevada

decision

mustang

falling in love

bull

divorce

desert

bull riding

contemporary west

preserved film

Four lost souls in the Nevada desert wilderness

A recently divorced blonde bombshell in Reno (Marilyn Monroe) befriends three guys and stirs their passions: An aging cowboy (Clark Gable), a cynical bush pilot (Eli Wallach) and a brooding rodeo contender (Montgomery Clift). They take an excursion to capture wild mustangs for profit. Thelma Ritter is on hand as a fifth misfit in the first half.

“The Misfits” (1961) was Gable and Monroe’s final film and Clift’s last significant one. Gable passed away a few days after shooting from a heart attack while Marilyn died 18 months after its release. Clift was dead by 1966. Even Ritter died before the 60s were over.

It’s a B&W drama with Western elements and haunting reflections on the nature of life and death, reminiscent of those Tennessee Williams’ flicks of the era, like “The Night of the Iguana” and “The Fugitive Kind.” The characters are lost souls who drown out their pain with lots of drinking and shallow socializing. Monroe is voluptuous and charismatic; and there are thematic gems here and there, like Gay’s potent commentary on doing something with pure intentions while society pulls a bait-and-switch and it becomes morally dubious or outright bad. The film’s also a fascinating period piece.

FYI: Director John Huston originally wanted Robert Mitchum for Gable’s role, but by the time they worked the kinks out of the script Mitchum was busy with another project. The writer, Arthur Miller, was Marilyn’s husband during shooting, but they were officially divorced 11 days before its release.

GRADE: B+/A-

CinemaSerf

This is a belter of a film that reminded me of just how imposing Clark Gable could be on screen with a strong part and a decent script. He is "Gay", a tough but pretty past-it cowboy who is hanging out with his buddy "Guido" (Eli Wallach) leading a pretty aimless existence with a lifestyle that is gradually withering on the vine. That all changes when they encounter the flighty "Roslyn" (Marilyn Monroe) who has arrived in Reno to get a divorce. Briefly, a bit of a love triangle develops and despite them moving to a house that "Guido" was building for his late wife, she sets her hat at "Gay" instead, and a relationships starts to burgeon. Both men still have the wrangling spirit, and when a small herd of mustangs is spotted, they want to catch some (to sell on for dog food!), but for that they need another. Fortunately, en route to a rodeo they encounter the broke and stranded "Perce" (Montgomery Clift) and are soon chasing down the horses in the Nevada desert - much to the horror of "Roslyn". There are quite a few tussles in this well paced and creatively shot drama with all four characters having issues with the others that test their loyalties, integrity and spirit - as well as offering us just a soupçon of romance as the story concludes and choices have to be made. As ever, Thelma Ritter contributes well - though only at the start - as their broken-armed pal "Isabelle" but it's really just the quartet that gel effectively for this robust and characterful story and  who keep this entertaining for just over the two hours. I never really got why Monroe became such a star. Very attractive, yes, but not really much of an actress. Here, though, she ups her game a bit and is much better - more natural - than usual. There's quite a duel between man and horse at the end that's almost worth watching the whole film for too. Good stuff!

Trailer

Re-release Trailer

The Misfits( 1961)

It shouts and sings with life ... explodes with love!

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A review by Wuchak

Written by Wuchak on Sat Aug 11 2018

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