Having been trained as a journalist, I’m generally not one to back away from an unsettling story, whether told through reporting or on the silver screen. However, there are times when I have to question the wisdom of whether certain films should be made in the first place. Just because it can be done, in my estimation, does not necessarily mean that it should be done. Such is the case with writer-director Magnus von Horn’s third feature outing, a dark, fact-based story that’s innately disturbing and, frankly, pushes the boundaries of good taste. The film, set in Copenhagen as World War I comes ...