Ivana Baquero

Sergi López

Maribel Verdú

Ariadna Gil

Doug Jones

Álex Angulo

Roger Casamajor

Manolo Solo

César Vea

Ivan Massagué

Gonzalo Uriarte

Eusebio Lázaro

Francisco Vidal

Juanjo Cucalón

Lina Mira

Mario Zorrilla

Sebastián Haro

Mila Espiga

Pepa Pedroche

Lalá Gatóo

Ana Sáez

Chani Martín

Milo Taboada

Fernando Albizu

Pedro G. Marzo

José Luis Torrijo

Íñigo Garcés

Fernando Tielve

Federico Luppi

Chicho Campillo

Pablo Adán

Raúl Monge

Bertha Navarro

Javier Navarrete

Guillermo Navarro

Eugenio Caballero

Miguel Ángel Polo

Roland N. Thai

Guillermo del Toro

Bernat Vilaplana

Alfonso Cuarón

Frida Torresblanco

Óscar Abades

Álvaro Augustin

Patricia Cuevas

Reyes Abades

Sara Bilbatúa

Héctor Gil

Elena Manrique

Belén Atienza

Lala Huete

Rocío Redondo

Víctor Albarrán

Jorge Calvo

Laura Musso

Jeff Barnes

Alicia Castro Chicol

Alberto Feito

Doug Cram

Philippe Mayanobe

César Abades

Mar Paradela

Jesús María Antón Rodríguez

Ariel Margolis

Steve Dellerson

Martín Hernández

Ryan Bozajian

Karin Marzocchini

Mandy Goldberg

Raquel Guirro

Aleix Torrecillas

Marta Monistrol

Borja Grandío

Dana Blanco

Pedro Jesús De la Fuente

Carlos Zamorano

Ángel Alonso

Edmundo Gil

Carlos Zaragoza

Pedro Calderón Muñoz

Pilar Revuelta

Sergio Sandoval

Ron Friedman

O.D. Welch

Lindsay M. Hoppe

Leigh van der Byl

Wendy Hulbert

David Ebner

Lap Van Luu

Josh Heeren

Akira Orikasa

Edward Irastorza

Grzegorz Jonkajtys

Neil Lim Sang

Antonio Arnalte

Guiomar Alonso

Cristina Perales

Dave Muscat

Brian Howard

Asun Arretxe

George Nicholis

Nick Iannelli

Felix Buenache

Tommy Williamson

José Luis Aranda

James Yazbeck

Joe Fineman

Pedro Lozano

Chris Wallace

Barbara Allegue

Vivien Quetglas

José Quetglás

Blanca Sánchez

Angie Jones

Jesús de la Vega

Alejandro González Iñárritu

Jordi Casares

Marc Blanes Matas

Everett Burrell

Michael Toji

Fantasy

Drama

El laberinto del fauno

Estudios Picasso

Esperanto Filmoj

Tequila Gang

Telecinco Cinema

Mexico

Spain

United States of America

Español

Pan's Labyrinth

princess

army

spain

fairy tale

resistance

servant

anti hero

franco regime (francoism)

woods

love

cruelty

hiding

labyrinth

magic realism

mythological

dark fairy tale

children in wartime

post spanish civil war

faun

surprise-ending

Beautiful movie from Guillermo del Toro and while I did like the movie and its World War II-era plot, I can't say I was totally in love, feeling this was more style over substance, though the acting from the young Ivana Baquero was really good. **4.0/5**

CinemaSerf

I think this is my favourite film, as yet, from Guillermo del Toro - and it gets better the more you watch it. Set against at backdrop of a Spain still trying to recover from it's civil war, the young "Ofelia" and her pregnant mother "Carmen" are sent to live with the rather brutish "Capt. Vidal". Now he is a singularly nasty piece of work and the girl longs to meet her own real father. It's in the middle of the night that "Ofelia" encounters a sprite who offers her some hope. It knows of a faun in the middle of a maze who might be able to help, and so they set of in search of this ostensibly sagely and benign creature. The meeting offers her far more than a glimmer, she need only complete three tasks and will find herself taking up her inheritance as a princess and reunited with her kingly father. What now ensues is a fairy tale full of dark magic and untrustworthy characters whom the young girl must face if she is to succeed. Given the atrocities being carried out in the real world around her, she seeks more and more solace in this nether world that is probably just as dangerous - it certainly has it's fair share of malevolence and duplicity - but with her father the ultimate goal, she perseveres with wisdom and gritty determination. What makes this work is the delicious permutations of evil it offers. Contrasting the real with the fabled, the human with the fantasy - and the decency the young girl epitomises is by no means certain of success. The visual effects cleverly integrate both of her worlds without dominating the look of the film or the potency of the story - one of love, ambition, fear, trickery. It's creatively exciting and captivating too. This is storytelling at it's best, and on a big screen can be appreciate to it's full - and dazzling - effect.

Pan's Labyrinth( 2006)

What happens when make-believe believes it's real?

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A review by JPV852

Written by JPV852 on Tue Oct 01 2019

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