Using some potently photographed imagery of a still recovering post-war London, this has a little more of a plausible story to it. It's just the sadly lacking effort of the dreadfully wooden Patrick Allen that holds it back. It depicts the scenario in the early 1960s where the rise of communism was an attractive thing for a political class that was prepared to betray their country in the hope of an Elysium to come. The story takes a while to get going, but the spying antics - they are trying to smuggle secret documents to their Soviet counterparts - present us with a slightly more sophisticated...