Suki Waterhouse

Jason Momoa

Yolonda Ross

Keanu Reeves

Giovanni Ribisi

Jim Carrey

Jayda Fink

Cory Roberts

Aye Hasegawa

Louie Lopez Jr.

E.R. Ruiz

Joni Podesta

Almayvonne

Danielle Orner

Mandy Pursley

Alina Aliluykina

Ashleigh Biller

Irene Guindal

Nina Mansker

Emily O'Brien

Lana Walling

DaLaura Patton

Ndea Williams

Eamon O'Rourke

Diego Luna

Jacob Peacock

James Miller

Ana Lily Amirpour

Erin E. Riegel

Alma Magaña

Bryan Parker

Elena Antzon

Tony Gardner

Jason Gaya

Curtiss Clayton

Malosi Leonard

Kamen Delkovsky

Shahrzad Davani

Lisa Layman

Andrea von Foerster

Tracey Landon

Geoffrey Quan

Michael Caplan

Hugo Villasenor

Dan Schmit

Phillip Bladh

Chris Terhune

Megan Ellison

Alex O'Flinn

Brandon Tonner-Connolly

Lyle Vincent

Aaron A. Goffman

Natalie O'Brien

Samantha Scher

Lisa Son

Shane Smith

Sean Brennan

Kimberly Carlson

Michelle Chung

Jillian Longnecker

Louise Runge

Sina Sayyah

Samantha Housman

Eddy Moretti

Danny Gabai

Kim Davis-Wagner

Justine Arteta

Wednesday Standley

Horror

Science Fiction

Thriller

The Bad Batch

Annapurna Pictures

Vice Studios

Human Stew Factory

United States of America

English

amputation

kidnapping

dystopia

post-apocalyptic future

exile

drug use

cannibal

cult leader

woman director

Gimly

_The Bad Batch_ ticked so many of my aesthetic boxes going in, that I didn't see any possible way that I could hate it. And I didn't, but it does make me worry, that if someone like me could come out of _The Bad Batch_ just "liking" it, then how will a more general audience respond? My assumption is that it's probably not favourably.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Innovator

I liked the look of this film. It reminded a lot of Fallout 4, especially the two major settlements could be made into settlements in the game easily, and the special effects were amazing. What I didn't like was the story, as it confused the hell out of me. I couldn't understand the motivations of the main character, or really any other character in the movie as they really gave no reasons for anything they did nor could those motivations be inferred, and the lack of dialogue meant no one asked why about anything. Or if anyone questioned anything, the best answer you get is thats just the way it is. I could accept that if what it was made any sense, and most of the time it didn't. I'm going with a bold idea that was mishandled.

Final rating:★½ - Style over substance.

Reno

**In the land of savages!**

The overall concept was good, but I did not like the initiation. I don't like any film of cannibalism. I don't know why such films are made. What's the point! Definitely not entertainment or art. It could only encourage such savage culture. So I thought I made a mistake picking it to watch. Except the opening, the rest of the film was different. Then ended as a just below average product.

In a near future, where all the criminals, illegal immigrants are dumped in a waste desert land. So they have made their own system, divided by two. One the savages and the other is kind of civilised, but not without flaws. A new arrival who experience from both the end, had to decide where she belongs when a series of bad events had taken place.

Here comes another film from a woman director. Her previous film was one of the worst in the history of filmdom. And again this is not her best work either. Though I liked the cast. They all performed well, particularly Jim Carrey. Yes, I did not recognise him at first. Then there's Keanu Reeves. But Waterhouse was good. I wish her a good future. Generally not recommended, but then it's your choice!

_5/10_

My ten word review:

_Just your average beautiful looking but utterly non-sensical indie film._

Click here for a video version of this review: https://youtu.be/IpZ5m4fbq1E

THE BAD BATCH [Official Trailer] – June 23rd 2017://NEON

THE BAD BATCH [Official Teaser] – Summer 2017://NEON

The Bad Batch( 2017)

Don’t play with your food.

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A review by Gimly

Written by Gimly on Tue Jun 27 2017

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