Logan Miller

Kristine Froseth

Jolene Anderson

Phodiso Dintwe

Jerrica Xufei Lai

Anthony Jensen

Jody Mortara

Vela Cluff

Joey Adanalian

Travis Cluff

Mariya Kraineva

Loganathan Kanabathy

Nathan Healy

Jennifer Riordan

Priya Amritraj

Mark David Katchur

Pui See Chong

Milan Holec

Alina Andrei

Dennis Lai Chee Seong

Matt Miller

Ebony De La Haye

John Portnoy

Gabriel Shipton

Lisa Norcia

Abdul Rahman Bin Hashim

Wai Kit Chiam

Tony Snegoff

Bradley Robert Shea

Maria Tan

Mary-Jane Allan

Michael M. Xavier

David Coggeshall

Jason Blum

Ashok Amritraj

Couper Samuelson

Franck Khalfoun

Jeanette Volturno

Phillip Dawe

Alix Taylor

Chris Lofing

Richard Breakspear

Josiah Thiesen

Eric Robbins

Max Martinez

Terri Taylor

Mike Wächter

Suri Ramasamy

Saravana Babu Vengedesan

Matt Zayuti Bin Mohd Ghani

Lukas Kunzmann

Shahrulnizam B. Ahmad

Peng Seong Chuah

Vincent Poon

Zurina Mohd Ramli

Ken Clark

Horror

Thriller

Prey

Hyde Park Entertainment

Blumhouse Productions

Image Nation

Tremendum Pictures

United States of America

English

island

father murder

possession

lighthouse

childhood trauma

survival

murder

demon

Gimly

True survival horror is not a thing we see a lot of these days, and it's even rarer to see it done truly well. _Prey_ an example of the former, but not so much the latter. It is okay, and reading some audience reviews of _Prey_ it seems like I did enjoy it more than most, but I can definitely see those complaints being made as valid.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

The Movie Diorama

Prey stalks its victims by offering a suspense-free horror flick that seems more idyllic than terrifying. Y’know, when I temporarily go insane or witness a traumatic incident, I openly discuss my feelings with a therapist or spend the day watching films involving eternal happiness. Had I been referred to a behavioural rehabilitation programme that sends its clients to a supposedly uninhabited island for three days for the purpose of “finding myself”, with only your survival instincts equipped, well I’d probably be a much different person than I am now. These are psychologically disturbed characters, granted the freedom of an entire island, to do whatever the heck they want. Build a campsite, create some intricate traps, slaughter the local wildlife and even murder each other. The insurance costs must’ve been catastrophic!

Khalfoun conceives a ridiculously contrived premise and, essentially, serves it to the demonic beast entity thing that prowls the luscious jungles of the island. What is a horror film without suspense? What is a psychological thriller without character development? What is a film without entertainment? Khalfoun irrefutably understands no element into adequate filmmaking. None! Cheap mundane jump scares that were predictable right down to the very second. More plot holes than a washed up sponge from the nearby capsized boat. Enough foreshadowing to plunge the island into everlasting darkness. Aside from Miller who atleast attempted to bypass the shoddy script he was given, the acting was weaker than a coconut branch surviving a monsoon. Expositional flashbacks, that resembled advertisements for a “hot rod” vehicle, clumsily spliced into the main narrative through inexplicably basic editing.

However, what truly makes Prey a bloodthirsty piece of life drainage, are the details. We are to believe that a young girl and her mother, have lived on the island for over a decade. That’s fine and all, but when she looks fresher than a speared fish, something’s not right. Eyebrows plucked, makeup on point, hair pristinely straight as she conditions using TRESemmé. You sure she didn’t reside in a salon for a decade? Not to mention Toby transforms into Bear Grylls in a matter of days. Where the hell did that come from!?

Khalfoun attempts to fool audiences by leading viewers down the path of imagination. Inferring that the protagonist is in fact fabricating all this nonsense. The five minute self-conversational scene explicitly hypothesised that his lunacy was profound. Yet whilst that would’ve been clichéd and typically dull, that scenario would’ve fared better than the one devised by Khalfoun. Cult rituals. Voodoo shenanigans. Cave full of multi-coloured paintings. All culminating into an ending that made me want to squish some numbing berries onto the disc and serve it to the beast itself. What was that? Seriously! I loathe endings that make the whole ordeal pointless. Detest them. Especially when there was a perfectly available boat in the middle of the film! Where did the rescue raft go that was beached by the programme manager? The CGI demonic swine could obviously swim, considering that atrocious conclusion.

Urgh. No more. Atleast Robbins’ cinematography made the idyllic island endurable. Prey exercises all of the worst traits found in uninspired low-budget horrors, and doesn’t even attempt to hide from its predatory allurement, consequently cementing this as one of the worst of the year.

Offical Trailer

Prey( 2019)

Don't close your eyes.

Overview

Top Billed Cast

Social

A review by Gimly

Written by Gimly on Wed Dec 18 2019

Media

Recommendations

Facts

Status

Original Language

Budget

Revenue

Keywords