Tom Welling

Maggie Grace

Selma Blair

DeRay Davis

Kenneth Welsh

Adrian Hough

Sara Botsford

Cole Heppell

Mary Black

Jonathon Young

R. Nelson Brown

Rade Šerbedžija

Matthew Currie Holmes

Sonja Bennett

Meghan Heffern

Douglas Arthurs

Christian Bocher

Charles Andre

Yves Cameron

Robert Harper

Alex Bruhanski

Dan Shea

Rick Pearce

Eric Breker

Stefan Arngrim

Steven Cree Molison

Xantha Radley

August Winter

Tatiana Turner

John Destry

Randi Chernov

Cooper Layne

David Foster

Graeme Revell

Graeme Murray

Debra Hill

Cathy Sandrich Gelfond

Rupert Wainwright

Dan Kolsrud

Monique Prudhomme

Catherine Schroer

Derek Dauchy

Todd Garner

Shane Riches

Rose Marie McSherry

Nathan Hope

Dennis Virkler

Amanda Mackey

Michael Diner

David Mylrea

Laura Lee Connery

Lauro David Chartrand-DelValle

John Carpenter

Rebeccah Delchambre

Lou Bollo

Yvette Jackson

Ken Kirzinger

Randal Platt

Steven A. Adelson

Scott Nicholson

Connie Parker

Lori Stewart

Ian Seabrook

Brett Chan

Karl Herrmann

Bob Comer

John Ulmer

Dean Heselden

Chris Sayour

David Klohn

Bobby Bysouth

Brent Woolsey

Douglas Dean III

Sanna Seppanen

Michael Langlois

Mike Mitchell

Sharon Simms

Angela Uyeda

Ernie Jackson

Guy Bews

David Tickell

Melissa R. Stubbs

Matthew Schmidt

Marny Eng

Horror

Thriller

Drama

Mystery

The Fog

Revolution Studios

Debra Hill Productions

Columbia Pictures

StudioCanal

Canada

France

United States of America

English

small town

ship

gold

island

california

fire

beach

penalty

parent child relationship

prophecy

sword

cemetery

narration

beheading

leprosy

lighthouse

ghost ship

weather service

unatoned crime

remake

killer

denunciation

supernatural power

supernatural horror

It was like an itch I had to scratch !!!!

Is it possible for fans of the John Carpenter original to be objective with this remake? Is it possible for a modern audience fed on Gorno and Slice Dice horror genres to be objective also?

Well I like to think that as a man in middle age I can be very objective and rate the film accordingly, so with that in mind I happily admit to being a member of both the above groups I have mentioned. This smacked of a bad idea when it was first mooted but it came as no surprise to anyone who can see that mainstream cinema had at this time in film history simply run out of great ideas for movies. This is real bad and I avoided it for so long, but the fact that his royal highness John Carpenter was lending his name to the project always kept me interested, it was the itch I was destined to scratch at some point.

It's poorly directed, badly acted, in fact there is a scene with four people on a boat (two of each sex) that is so badly acted you would be surprised if these actors ever work again! The pic is devoid of suspense, jump shocks and worst of all, an ending that is as dreary as it is insulting. I give it 2/10 for the sound mix only. An awful abomination.

Gimly

Oh man this was so bad. Like this was **so** bad. Part of me is afraid to go back and check out the original now, but the rest of me feels safe in the knowledge that it couldn't possibly be worse... I mean it couldn't, right? ...Right?

_Final rating:★ - Of no value. Avoid at all costs._

Poor overall, I do like the idea though.

<em>'The Fog'</em> has been absolutely obliterated on Letterboxd, 1.6 average rating is major yikes. I, honestly, don't think it's quite that awful but I fully understand the dislike this has. For me, it wastes a good concept.

I actually don't mind the special effects, sure they aren't anything amazing but I never really felt let down by them; the only times it bothered me, in truth, was when there's a huge bundle of fog. For the "natives", though, I thought they looked fairly neat.

The film definitely goes on for too long, while the ending is terrible. Acting wise I think it's OK. Tom Welling (Nick) and Maggie Grace (Elizabeth) are passable, the rest of the cast give pretty lame performances granted.

Bad, but not *that* bad in my opinion. Remakes always tend to make people more annoyed, especially when they've seen the original. I haven't, so I guess that plays a part.

Filipe Manuel Neto

**I have nothing against remakes… but at least try to do them well!**

I've seen John Carpenter's film _The Fog_ a few years ago, but I remember it well and how pleasant it was to see it. The original film didn't shed a drop of fake blood, it wasn't the kind of extremely visual film we've grown used to in recent years, with blood spurting everywhere and chunks of flesh flying towards us. Carpenter made a clean film, without the jumps that made us fall out of our chairs, but tense, very tense and full of mystery. And ultimately, that's really what made the film work so well… and that's what this film lacks, precisely!

The remake maintains, in essence, the script of its predecessor: Antonio Bay is an American coastal city that is about to celebrate the centenary of its foundation when mysterious occurrences and macabre deaths begin to happen, always related to a strange-looking fog, quite dense and somewhat greenish. However, the discovery of an old diary, written by one of the city's founders, finally brings some clarifications: after all, the entire city was founded at the cost of dozens of innocently killed human lives, and now, a hundred years later, his souls are returning from the sea, desirous of revenge.

I confess that I expected more from this film. The truth is, if I didn't really know what happens in this movie (thanks to Carpenter's movie) I don't know if I would understand what's going on here. Terribly poorly written, the script fails to convey the whole story to us, and new audiences run the risk of not understanding everything. It's a messy story, with flaws and missing parts. On the other hand, the film lacks any kind of tension, suspense or functional mystery. It has some good things, it tries to involve more characters, to take the focus away from that isolated broadcaster at the lighthouse, but the truth is that I don't know if this was really a good idea, since the film was much less clear and understandable than its predecessor and none of the characters manages to engage us, or capture our sympathy and interest.

Directed by Rupert Wainwright, it was the last feature film of his career, and although John Carpenter lent his name to the film, he has publicly stated that he was not involved in the project. The cast has several names and actors, but none particularly sounding name, and none of the actors was able to shine or really give us a work worthy of being fully appreciated, in a positive way.

On a technical level, the film has a fairly regular cinematography and makes good use of all the filming locations used. The visual effects and CGI work quite well, and the fog is truly impressive and even beautiful. But the film's redeeming qualities end here. I would like, as a historian, to highlight in particular my repudiation and disgust for the way they recreated the boat scenes, where we see Blake and his traveling companions. As the event takes place at the end of the 19th century, it is inconceivable and unacceptable that the production decided to use clothing, props and even a ship style from the late 18th century, that is, from a period one hundred years prior to the one intended to be retracted. This is mocking with history, and a sign of utter negligence on the part of the producers and the technical team.

The Fog (2005) Official Trailer 1 - Selma Blair Movie

The Fog( 2005)

There's more to fear than you can see.

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A review by John Chard

Written by John Chard on Sat Nov 28 2015

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