Viggo Mortensen

Léa Seydoux

Scott Speedman

Kristen Stewart

Welket Bungué

Don McKellar

Tanaya Beatty

Nadia Litz

Lihi Kornowski

Denise Capezza

Efi Kantza

Jason Bitter

Tassos Karahalios

Sozos Sotiris

Penelope Tsilika

Mihalis Valasoglou

Yorgos Pirpassopoulos

Sotiris Siozos

David Cronenberg

Robert Lantos

Carol Spier

Howard Shore

Panos Kondylis

Goran Delic

Babis Hawk Konstantinou

Dimitra Sourlantzi

Tom Bjelic

Christian T. Cooke

Jill Purdy

Mark Zsifkovits

Peter McAuley

Maria Tsigonia

Vasilis Gkikas

George Alahouzos

Roulis Alahouzos

Sophia Argyrou

Leonidas Kirolari

George Koumpoulis

Argyrou Sofia

Christopher Stratos

Dimitris Tsiakkas

Efi Tsimpi

Aris Veremis

Peter Bas

Andy Robinson

Christa Tazzeo

Sotiria Gloustianou

Christelle Conan

Joe Iacono

Panos Papahadzis

Thorsten Schumacher

Steve Solomos

Aida Tannyan

Peter Touche

Dimitris Apostolidis

Monica Pavez

Hronis Tzimos

Dionysia Dimitrakelou

Michalis Kyrimis

Douglas Wilkinson

Léonidas Arvanitis

Takis Atsidakos

Nikos Charitos

Spyros Christoforatos

Marios Delias

Andreas Evdemon

Eleni Lola

Nikos Loukakis

Yiannis Maragoudakis

Edward Mikolic

Nikos Nikolopoulos

Nikos Papathanasis

Haris Pournias

Spiros Rekounas

Veselin Rusev

Giorgos Satolias

Mikaela Savvidi

Petros Tsampakouris

Petros Chytiris

Nikolas Sfyrakis

Anna Deligianni

Douglas Koch

Jeff Deutchman

Bonnie Do

Ariane Giroux-Dallaire

Dietmar Güntsche

Victor Hadida

Giannis Karadanis

Michael Kölmel

Laura Lanktree

Maria Laskaridou

Victor Loewy

Christian Parkes

Tom Quinn

Charles Tremblay

Kimberley Zaharko

Nefeli Rapti

Christopher Donaldson

Deirdre Bowen

Dimitris Katsikis

Mayou Trikerioti

David Warry-Smith

Ken A. Smith

Katerina Giannakopoulou

Alexandra Anger

Elena Priovolou

Andreas Papanikolas

Stefanos Efthymiou

Tasos Selimos

Luis Freitas

Shari Spier

Justin Stephenson

Justin Helle

Kayden Anderson

Science Fiction

Horror

Crimes of the Future

Serendipity Point Films

Téléfilm Canada

Ingenious Media

Argonauts Productions

RocketScience

Wiffle Films

Davis Films

Canada

Greece

United Kingdom

France

English

Español

human evolution

detective

dystopia

murder

performance art

transhumanism

evolution

surgery

shipyard

body horror

organ trafficking

biotech company

Nonsensical incoherent movie that was hard to watch, and i turned it off after 30 min.
It clearly written with a good amount of shock value, but the only shock i got was my finger to press "off" button.
Cronenberg has made some good body horror in the past, but this was just rubbish.

CinemaSerf

Whilst certainly nowhere near his best, this is still quite an intriguing drama from David Cronenberg. It all centres around "Saul Tenser" (Viggo Mortensen) who uses his own body to grow (or "cook") extra organs which he and his assistant "Caprice" (Léa Seydoux) extract as part of rather gruesome, but popular, theatrical performances. Meantime, "Dotrice" (Scott Speedman) is reeling from the suffocation of his young plastic-eating son (by his own wife) and so convinces the exhibitionists that an autopsy revealing the internal digestive organs of this most unusual of mutations would make for excellent viewing. Don McKellar ("Wippet") and his colleague "Timlin" (Kristen Stewart) run the government department for organ registration and needless to say they take a dim view on the legality of some or all of these activities... or do they? The concept is interesting and ethically highly dubious but sadly the execution is a bit lacklustre and there is way too much dialogue and, oddly enough here, too little use made of the special effects that are at times quite disturbing to watch and are, no pun intended, rather at the heart of the story. Stewart's very presence suggests her character has a more significant part in the proceedings but her appearances themselves are actually quite sparing which is always a bonus for me! It does take a while to get going, and somehow the ending is all rather underwhelming but it still has enough traces of the director's unique style and imagination to make it worth a watch - once

Manuel São Bento

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/opinion-pieces/what-do-both-dont-worry-darling-and-crimes-of-the-future-have-in-common

"Personally, I believe that cinematic narratives with multiple plot points and questions related to the world itself are too often confused and envisioned as character studies driven by a single protagonist.

Both Olivia Wilde and David Cronenberg complete their movies when the main character fulfills the minimum requirements of their arc, consequently renouncing all other equally significant issues worthy of in-depth exploration. In the case of Don't Worry Darling, one finishes it with an underwhelming feeling from an unsurprising conclusion, while in Crimes of the Future, viewers are left with several questions and interesting, half-developed paths about such a mesmerizing futuristic world.

Neither film explores its own world-building satisfactorily."

Rating: B+

Not the most enjoyable of watches, it meanders a bit, though <em>'Crimes of the Future'</em> is most certainly interesting throughout.

I tend to find films like this a little hit-and-miss, as I personally find the constant reaching for shock value or just simple weirdness a bit too forced. And this film does that a few times, but to be fair as the run time was ticking by I could definitely feel myself becoming more and more intrigued by events portrayed on screen.

Cast-wise, Viggo Mortensen and Léa Seydoux great together, very good acting and very good chemistry. Don McKellar (just me who sees a Jeffrey DeMunn likeness in his eyes? probably ...) and Welket Bungué are more than decent too. Kristen Stewart and Scott Speedman give solid showings as well.

A, fair to say, weird one it is, but a weird one that I just about got enough from.

Crimes of the Future( 2022)

Surgery is the new sex.

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A review by the_blueeyes

Written by the_blueeyes on Sun Jul 24 2022

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