Unfortunately this is rather a dry look back at the life of this visionary and entrepreneurial lady. It certainly offers a feast of archive film, VT and photography but for the most part, the narrative is relayed in a slightly adulatory fashion by her co-workers, and with the exception of her godson Jasper Conran, the majority of the contributors will have little traction with any but the most closely involved in the industry amongst the audience. The chronology itself is interesting enough, depicting well the whole vibe of London in the 1960s: the "scene"; the music, the first real throes of p...