Kate Winslet

Andy Samberg

Alexander Skarsgård

Marion Cotillard

Andrea Riseborough

Noémie Merlant

Josh O'Connor

James Murray

Arinzé Kene

Vincent Colombe

Patrick Mille

Camilla Aiko

Samuel Barnett

Zita Hanrot

Sean Duggan

Enrique Arce

Ian Dunnett Jnr

Harriet Leitch

Riley Neldam

Katalin Ruzsik

Marinko Prga

Orlando Seale

Claire Lavernhe

Caroline Lena Olsson

Vanessa Glodjo

Ena Kurtalić

Toni Gojanović

Tom Panay

Patrick McCullough

Joe Anders

Anita Major

Sanchia McCormack

Botond Bartus

Dávid Fecske

Lotti Kővári

Ágnes Fekete

Jazmin Elizabeth Brenner

Levente Pupics

Adam Boncz

Marijan Hinteregger

Ellen Kuras

Thorsten Schumacher

Claire Taylor

P.J. van Sandwijk

Lem Dobbs

John Collee

Marion Hume

Alexandre Desplat

Paweł Edelman

Michael O'Connor

Andrew Mason

Troy Lum

Liz Hannah

Finola Dwyer

Antony Penrose

Ivana Primorac

Gemma Jackson

Adam Squires

Lotty Sanna

Mikkel E.G. Nielsen

Bence Erdélyi

Nic Pallace

Melkior Serdarevic

Zoltán Sárdi

Lucy Bevan

Katalin Baranyi

Olivia Grant

Zsuzsa Mihalek

Zsuzsanna Tóth

Annamária Dunai

Judit Halász

Judit Hornyák

Orsolya Kiss

Lilla Obendorfer

Mary Hare

Domnana Hay

Ákos Hoboth

Louis Lewarne

Portia Napier

Thibault Arnold

Stuart Bagshaw

Darren Banks

James Boyle

Vincent Cosson

Simon Diggins

Csongor Fazekas

András Horváth

Csaba Major

Graham Marshall

Romi Martinez

Nigel Mills

Tom Nicolas

Candela Palencia

Mike Prestwood Smith

Rob Price

Kobi Quist

George Riley

Jamie Roden

Tristan Rose

Jason Swanscott

Sebastian Vaskio

Hannes Wannerberger

György Albitz

Darko Baranasic

Péter Bosánszki

Béla Buzgó

Ramon Csepe

Tibor Fajcsi

Furedi Csaba

Zsolt Gottschall

Zsolt Gonda

Robert Gyuge

Géza Kocsis

Endre Edwin Hart

Henrik Gotschalk

Gábor Kiszelly

Endre Korda

Patrik Lahovsky

Jakov Novakovic

Petar Novaković

Norbert Orosz

Márton Pintér

Gordon Quigley

Zsolt 'Dugó' Rácz

Zsolt Schweigert

Vilmos Toth

Alessandra Aucello

Joshua Luigi Bowen

Heather Costa

Zafer Ercevik

Kira Creek

Amber Ducker

Loredana Gangemi

History

Drama

RocketScience

Juggle Productions

Brouhaha Entertainment

Sky Original Productions

Hopscotch Films

Vogue Films

MS Partecipations S.A.

Hantz Motion Pictures

Pasaca Entertainment

Vogue Studios

55 Films

Australia

Singapore

United States of America

Hungary

United Kingdom

English

Français

nazi

photographer

photography

concentration camp

holocaust (shoah)

world war ii

war photographer

biography

misogyny

woman director

1940s

lee miller

vogue magazine

Fascinating viewing. <em>'Lee'</em> is very well made and expertly acted.

As others have noted, it's quite the thing that fellow 2024 flick <em>'Civil War'</em> has a character inspired by Lee Miller, then this comes along with a plot directly about the incredible photojournalist. Kate Winslet portrays Miller supremely, not that that would ever be in doubt; she is excellent at every single moment of this near two hour film.

About time this biopic was produced, it is one that does get dark but it's undoubtedly an important story to tell.

CinemaSerf

Kate Winslet turns in quite an effective performance here as the eponymous photographer who originally arrived in London to be with husband Roland Penrose (Alexander Skarsgård) and to work for the formidable Audrey Withers (Andrea Riseborough) at "Vogue" magazine as a fashion photographer. With the rise of the Nazis seemingly unstoppable throughout continental Europe, Penrose spends more time on the war effort leaving her more and more determined to prove that she is every bit as capable as her male counterparts. Needless to say there's quite a bit of resistance to her participation in combat zones, but thanks to her own perseverance and an alliance with David Scherman (Andy Samberg) she is soon actively involved in wartime photography and by the end is visiting some of the most ghastly sites ever built seeing, at first hand, the truly stomach-churning atrocities left behind by a now defeated war machine that turned large-scale annihilation into an art form. Her story is being relayed from the comfort of her British home in the 1960s to a man whom we assume is just a journalist. Indeed his obvious nervousness and her antipathetic attitude towards him and his task seems to suggest she sees no value in her memories, but as we develop the threads of her life, we begin to sense that something more exists between her and this young man (Josh O'Connor) which quite neatly puts quite a lot of perspective on the choices made by a woman who probably did put career first. Through the characters of Solange (Marion Cotillard) and Nusch (Noémie Merlant) the film also attempts to put a little meat on the bones of the story of those who had to "co-operate" with their new overlords. Some willingly, some less-so and some, well they didn't live to tell. The production and battle scenarios aren't really so effective - maybe just bit too manicured, the script is a little dry and there's maybe just a bit too much of it, but Winslet shows here that she has plenty of capacity to take on a role that it would have been easy to shower with bravado, but instead she brings a more considered charisma to her portrayal of a woman whose bloody-minded courage provided for some of the most significant imagery of the Second World War. Imagery that even now makes your flesh crawl.

Lee is a giant neon sign of a film with 'Made-for-award-season' written all over it while screaming 'Look how amazing Kate Winslet is!' But sadly, it's not until the third act, when things turn chilling, that she finally grabs hold of you and doesn't let go. Then there's Andy Samberg. Yes, that Andy Samberg, who somehow waltzed into this movie and decided to give us a 'Wait, is this guy about to win an Oscar?' performance. At this point, even the Academy are probably like, 'Well, guess we gotta nominate him now.'

Brent Marchant

There are times when many of us feel compelled to pursue something for reasons that we don’t fully understand but that we can’t walk away from, either, no matter what the personal cost may be. So it was for former fashion model Elizabeth “Lee” Miller (Kate Winslet), who, after a successful career of sporting haute couture, became a battlefield photographer for the British edition of Vogue magazine during World War II. Admittedly, she could have enjoyed a life of luxury in her retirement, but she felt a strong need to fulfill a purpose, a decision that led her to willingly immerse herself in this dangerous venture, one in which her life was frequently on the line. However, in doing so, she captured some of the most iconic images of the war in Europe, the stories behind which are recounted and re-created in this engaging biopic from director Ellen Kuras. In chronicling Miller’s life, the film details the hard choices she made, both personally and professionally, as well as her drive to document the hard truth about a conflict for which the world didn’t always have ready access to news about, at least not in the on-demand way we do today. While the picture has a tendency to be somewhat episodic at times, it nevertheless presents a series of intriguing back stories behind a variety of incidents from the storied career of this unlikely but widely regarded journalist. This offering’s fine period piece production design effectively captures the differences between the two diverse worlds in which the protagonist lived – the elegance of high fashion and the gritty wartime landscape – backed by Winslet’s superb performance (a strong awards season contender, to be sure) and the fine supporting portrayals from an excellent ensemble cast, including Andrea Riseborough, Marion Cotillard, Samuel Barnett and a surprisingly effective Andy Samberg. These attributes aside, though, it’s somewhat mystifying how this release came and went from theaters as quickly as it did. “Lee” truly deserved wider attention than it received, but, thankfully, it’s now available for streaming. It takes courage to stick to one’s convictions in a time of combat, especially when the potential cost to oneself is as high as it was for Miller, but the world is better off for her valiant efforts in showing us what we might have missed but about which we all desperately needed to know.

Kate Winslet on Lee, a biopic of world war two journalist Lee Miller | BFI Q&A

'Lee' with Kate Winslet, Andy Samberg, Andrea Riseborough & more | Academy Conversations

Lee( 2024)

Some wounds you cannot see.

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A review by r96sk

Written by r96sk on Fri Sep 20 2024

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