Emilia Clarke

Chiwetel Ejiofor

Rosalie Craig

Vinette Robinson

Kathryn Hunter

Jean-Marc Barr

Verona Verbakel

Sarah Gallagher

Ken Samuels

Anne-Marie Agbodji

Nilson David

Elke Shari Van Den Broeck

Leonoor Koster

Isis Caljé

Veronika Olah

Benedict Landsbert-Noon

Nathalie Opare

Ashley Johnson

Alix Dunmore

Megan Maczko

Eliza Butterworth

Rita Bernard-Shaw

Ian Bouillion

Rupert Simonian

James Gentile

Mylène d'Anjou

Prudence Leroy

Nora Zakiri

Jelle De Beule

Yann Zenou

Sophie Barthes

Geneviève Lemal

Paul Nelson

Andrij Parekh

Olivier Bugge Coutté

Dixie Chassay

Céline De Waele

Nicolas Ronchi

Mathias Sourbron

Stephan Rubens

Emmanuelle Youchnovski

Laurent Hanon

Maïmouna Bancel

Caroline De Schryver

Marcus Himbert

Yves Capelle

Thomas Delord

Dirk Bombey

Kenzo Pelsener

Ronald Grauer

Guillaume Augeri

Olivier Cazzitti

Dimitri Doulkeridis

Luc Frisson

Fabien Ruyssen

Maarten Stoop

Brigitte De Witte

Lucy Jordan

Maxime Gandon

Nicolas Jacob

Julie Ghesquiere

David Vranken

Selıa Çakir

Tom Nicolas

Kyle Masterson-Silvestro

Marina Lerchs

Pierre Greco

Mathieu Cox

Anne-Laure Davault

David Bensadoun

Valerie Berlemont

Jean-François Camilleri

Tanguy Dekeyser

Sierra Garcia

Nathanaël Karmitz

Philippe Logie

Jaime Mateus-Tique

Nessa McGill

Martin Metz

Géraldine Ohana

Adrian Politowski

Raphaël Perchet

Oliver Roskill

Hervé Ruet

Anne Moralis

Sandra O'Brien

Peter Bernaers

Sacha Galperine

Evgueni Galperine

Science Fiction

Comedy

Romance

Drama

The Pod Generation

Quad Productions

SCOPE Pictures

MK2 Films

Belgium

France

United Kingdom

United States of America

English

future

marriage crisis

child labour

natural birth

working woman

synthetic human

child birth

planned parenthood

work-life balance

Manuel São Bento

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-pod-generation-review-sundance-2023

"The Pod Generation features remarkable world-building and futuristic production design, but despite sharing thought-provoking yet repetitive, superficial messages about human evolution and advanced technology, it lacks a stronger emotional impact. Emilia Clarke and Chiwetel Ejiofor are VERY good, though."

Rating: C+

Louisa Moore - Screen Zealots

**By: Louisa Moore / www.ScreenZealots.com**

Science Fiction stories are almost always interesting or intellectually stimulating, and on paper, the idea behind “The Pod Generation” sounds like a good premise. This female-focused satire of how technology, consumerism, nature, and detached parenting co-exist in modern society starts off strong but quickly falters. Writer / director Sophie Barthes simply cannot figure out where she wants her story to go, and she hits the brakes before ever getting it up to speed.

Artificial Intelligence is the rage in the near future, and actual nature has been pushed aside for convenience in everyday life. Botanist Alvy (Chiwetel Ejiofor) and his business executive wife Rachel (Emilia Clarke) would love to become parents, but she’s consumed by her work and has time for little else. One morning, the couple gets the exciting news: they’ve landed a coveted spot at the exclusive Womb Center, a very expensive service that provides artificial wombs (known as “pods”) to grow their new baby. It’s a way Rachel can become a mother while not giving up on her career, and it’s a very popular option. Although Alvy would prefer a natural pregnancy, he gives in to make his wife happy.

It’s a smart and timely idea for a film, especially at a time where no woman can claim to be completely free until she has full control over her own reproductive system. There’s a real truth to women being forced to make a choice between a career or motherhood, and it’s often inconvenient to have kids while just starting out in the world. In Barthes’ imagined future, the birth rate has declined so much that the need for pods is becoming a necessity, and they are a way to empower women to become mothers while also forging ahead on their career path. All of these themes are worthy of serious conversation, but the film is all bark and no bite.

“The Pod Generation” questions the human relationship with and dependency on technology, but it doesn’t push boundaries far enough. It seems like there’s a sharper feminist-minded film somewhere within this one that’s just waiting to get out. Until then, maybe what we all really need is to just unplug and breathe in some fresh mountain air.

Amin

**Have you ever wondered what it means to be human in a world where nature and work are redefined?** The Pod Generation isn't just a film; it's a journey into these existential questions. 

The movie begins by delving into the complex relationship between modern work and work-life balance. From the very start,it captivated me with its realistic and imaginable future scenarios. This is a rare sci-fi film that combines futurism with believability, drawing you into a world that feels both alien and familiar.

But what's truly intriguing about this film is how it initially seems to be about the technological innovation of baby-pods. Yet, as the story unfolds, you realize it's exploring much deeper themes. It's a narrative about the role of A.I., the dynamics of social interaction in a digital world, and most importantly, the loss of nature and physicality. This twist is what makes The Pod Generation a great, cinematic experience.

What do you stand for? How important are your beliefs to you? These questions aren't just presented; they're explored in a way that makes you reflect on your own life.

Biggest surprise: It's an european cinema production...! The grandiose cinematography adds a layer of depth to the film, making camera work not just a visual treat but a thought-provoking piece.

Behind the Scenes of The Pod Generation with Director Sophie Barthes | #DolbyInstitute

The Pod Generation( 2023)

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A review by Manuel São Bento

Written by Manuel São Bento on Sat Jan 21 2023

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