Phoebe Dynevor

Alden Ehrenreich

Eddie Marsan

Rich Sommer

Sebastian de Souza

Sia Alipour

Yacine Ramoul

Brandon Bassir

Jamie Wilkes

Freddy Sawyer

Geraldine Somerville

Patrick Fischler

Laurel Lefkow

Buck Braithwaite

Jim Sturgeon

Linda Ljoka

J. Pace

Abe Fark

Leopold Hughes

Boris Fionov

Jelena Stupljanin

Katarina Gojković

Ivona Kustudić

Greg De Cuir

Stefan Miloradović

Abdeen Asham

Aleksandar Bimbašić

Filip Todorovic

Nenad Stefanovic

Pei Hua Lu

Evan Zhao

Jovana Miletic

Novica Milosavljević

Ivana Ivić

Branimir Cirić

Chloe Domont

Anđelija Vlaisavljević

Nicola Chisholm

Bret Howe

Mary Vernieu

Benjamin Bermudez

Dejan Čeko

Simon Meilleur

Aleksandar Sekulić

Rabi Basir

Vaughn Bien III

Giles Harding

Ivana Burilo

Marko Cvetanovic

Slaviša Ivanović

Marko Vasiljević

Ben LeClair

Tim White

Trevor White

Allan Mandelbaum

Rian Johnson

Ram Bergman

Menno Mans

Steve Summersgill

Franklin Peterson

Brian McOmber

Kate Forbes

Ivana Lovre

Milan Damnjanović

Sonja Nenadić

Višnja Karaulić

Maja Ristić

Ugo Derouard

Andy Hay

Adam Kopald

D. Chris Smith

John Warrin

Sonja Mrkobrada

Petar Ateljević

Dušan Bartolović

Stefa Dragan Stefanović

Billy Green

Miloš Jonović

Sven Joukes

Miloš Jovanović

Dragan Jović

Dušan Klještan

Sava Kovačević

Nikola Medić

Mladen Tomašević

Slaviša Obrenić

Nemanja Petković

Slobodan Pikula

Sergej Radović

Borislav Romčević

Vasilije Ružić

Aljoša Šipetić

Branislav Stojanović

Nenad Tomić

Roman Volf

Vladimir Aleksić

Jude Campbell

Klara Doshlov

Kathleen E. Kearney

Barney Shakespeare

Mary Chipman

Elizabeth Marie Barrett

Milica Drakulić

Marian Jiménez

Kosta Jokić

George Koran

Brooks Larsen

Robert Grigsby Wilson

Vladimir Živanović

DJ Campbell

Milan Maksimović

Ivan Marković

Milena Perišić

Anja Maksimović

Alisa Traskunov

Dan Wilcox

Jordan Dykstra

Stefan Matić

Danijela Parenta

Predrag Rafailović

Nemanja Stanojević

Sharna Brzycki

Ivana Stojanović

Velimir Timotić

Srđan Nedeljković

Gine Lui

Drama

Thriller

Romance

Fair Play

Star Thrower Entertainment

T-Street

United States of America

English

jealousy

rape

egocentrism

engagement

psychological thriller

couple

engagement party

hedge fund

woman director

secret relationship

male egos

finance

erotic

secret

power dynamics

The Movie Mob

**Fair Play continues to crank the tension higher and higher, with paranoia, fear, and betrayal exploding in a stressful and well-done finale.**

I saw Fair Play at Sundance 2023 in a crowd of cinema enthusiasts, making the theater experience electric and engaging! While Fair Play isn't my typical movie taste, it was exceptionally well done, with tension and stress building consistently from start to finish and exploding into all-out insanity and paranoia in the film's final act. My heart was pounding as the selfishness and jealousy of these characters devolved into pure hatred and disdain. Once the credits rolled, I finally felt like I could breathe for the first time in an hour! Domont did so much with so little, mastering suspense and keeping the audience on edge. With such arrogant and self-centered characters, it is hard to "enjoy" the film, but the craft and skill are undeniable, and it's no surprise why it was so well received at Sundance and scooped up so quickly by Netflix.

Brent Marchant

It’s amazing how one film can be predictable, implausible and preposterous all at the same time, but writer-director Chloe Domont’s debut feature manages to pull off this trifecta of lamentable attributes with remarkable ease. This alleged psychological thriller goes from bad to worse as its plot hole-filled story degenerates from a boring, clandestine office romance into an over-the-top envy-driven battle of egos when one partner unexpectedly gets promoted over the other at a prestigious Wall Street firm. The way in which this unfolds, though, is largely laughable, despite an underlying message that has some noteworthy merit (even if it’s a bit trite in this day and age). The picture might be more worth watching if the two protagonists (Phoebe Dynevor, Alden Ehrenreich) weren’t so inherently deplorable and portrayed with some of the hammiest on-screen acting I’ve seen in a long time. This is all made worse by one of the most awful scripts I’ve come across in a while, with almost as much tawdry, needlessly foul language since “The Wolf of Wall Street” (2013). Put these qualities together and you’ve got an absolute work of utter trash that makes the prime time soap operas of the 1980s look like epic storytelling. Indeed, as far as how this one plays, all I can say is “No fair.”

CinemaSerf

"Emily" (Phoebe Dynevor) and fiancé "Luke" (Alden Ehrenreich) are a typically happy, professional, couple, recently engage and well loved up. Gossip is going around the office that "Luke" is destined for a promotion that will mean loads more cash for the pair and she seems delighted for him. Well, boss "Campbell" (Eddie Marsan) has other plans as he decides to give the job to her! Is he delighted? Well outwardly yes, but inwardly...? She is also uncertain. Not of her ability to do her new job, but of how to avoid bruising his increasingly obviously delicate ego. What now ensues is a rather fat-fetched eggshell dance that sees their relationship put under enormous pressure? Can it survive? Well, frankly I didn't care. The whole story seems contrived to create as much tension and distrust amongst the couple who at one stage are about to be married and at the next, well they might not cross the road to chat with each other. It takes a swipe at the greasy pole and at the whole corporate "getting-on" ethos, but in such a linear and unimaginative fashion. Way too many stereotypical attitudes and platitudes and by the end I was really quite uninterested in who got what, if anything, from this rather pedestrian and over-scripted melodrama. Sorry, perhaps I just wasn't in the mood - but this did nothing for me.

Manuel São Bento

FULL SPOILER-FREE REVIEW @ https://www.firstshowing.net/2023/review-chloe-domonts-fair-play-poignantly-tackles-gender-politics/

"Fair Play is an emotionally charged exploration of love, ambition, and gender dynamics. Chloe Domont thoughtfully addresses these themes, highlighting biases faced by successful women, the personal challenges of couples working in the same space, and the inevitable vulnerabilities that arise from these scenarios.

The dedicated performances from Phoebe Dyvenor and Alden Ehrenreich make it a gripping viewing experience, emphasizing the film's thought-provoking messages about gender politics and seeking equal recognition based on merit rather than gender.

The dramatic conclusion warrants heated debate…"

Rating: A-

ALDEN EHRENREICH and CHLOE DUMONT | Fair Play (Netflix) - Q&A | Film Independent Presents

Writer/Director Chloe Domont on Crafting her Netflix Thriller

Ending Explained with Director Chloe Domont

Chloe Domont on her film FAIR PLAY

Real HR Managers React to Outrageous Scenes from Fair Play

Director Chloe Domont Breaks Down a Scene

Fair Play's director on why Bridgerton's Phoebe Dynevor was perfect for this erotic thriller | BAFTA

Behind the Scenes with Phoebe Dynevor & Alden Ehrenreich

Emily and Luke’s Argument

FAIR PLAY Executive Producer RAM BERGMAN | FiLM iNDEPENDENT FORUM

Phoebe Dynevor & Alden Ehrenreich On Gender and Power Dynamics

Chloe Domont on Toxic Masculinity and Subverting Genre Tropes in FAIR PLAY | TIFF 2023

Official Trailer #2

FAIR PLAY at TIFF 2023 | Q&A with Chloe Domont

Official Trailer

Meet the Artist: Chloe Domont on “Fair Play”

Fair Play( 2023)

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A review by The Movie Mob

Written by The Movie Mob on Sat Feb 11 2023

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