Harrison Ford

Kelly McGillis

Josef Sommer

Lukas Haas

Jan Rubeš

Alexander Godunov

Danny Glover

Brent Jennings

Patti LuPone

Angus MacInnes

Frederick Rolf

Viggo Mortensen

John Garson

Beverly May

Ed Crowley

Timothy Carhart

Sylvia Kauders

Marian Swan

Maria Bradley

Rozwill Young

Paul S. Nuss

Emily Tracy

Fred Steinharter

John D. King

Paul Goss

Annemarie Vallerio

Bruce E. Camburn

William Francis

Tom Kennedy

Ardyth Kaiser

Thomas Quinn

Eugene Dooley

Victoria Scott D'Angelo

Richard Chaves

Tim Moyer

Nino Del Buono

James Frank Clark

Joseph Kelly

Norman Carter

Craig Clement

Robert Earl Jones

Michael Levering

Cara Giallanza

Anthony Dean Rubeš

Bernie Styles

Blossom Terry

Jennifer Mancuso

Edward S. Feldman

Peter Weir

John Seale

Thom Noble

William Kelley

Maurice Jarre

Earl W. Wallace

Pamela Bentkowski

Michael Klastorin

Michael John Meehan

Leland V. Crawford

David McGiffert

Shari Feldman

Hope Williams

Fred Stafford

Dallas D. Dornan

Ted Swanson

Bette Iverson

Pamela M. Eilerson

Allan Bromberg

Joan E. Chapman

Michael Hancock

Paula Cain

Michael W. Hoffman

Bob Noland

Craig Edgar

Richard Stone

Forrest Williams

Robert Krume

Cynnie Troup

Stan Jolley

Cecelia Hall

John H. Anderson

Robert Glass

Robert Knudson

George Watters II

Frank Howard

Norval D. Crutcher III

Don Digirolamo

Alan L. Nineberg

Andrew Patterson

Bruce Richardson

Glenn R. Wilder

Gary Epper

Bob Minor

David Bombyk

Wendy Stites

Dianne Crittenden

Vic Armstrong

Anderson Martin

Pamela Wallace

Crime

Drama

Romance

Thriller

Witness

Paramount Pictures

United States of America

Deutsch

English

police brutality

philadelphia, pennsylvania

corruption

pennsylvania, usa

detective

amish

witness to murder

barn raising

silo

lancaster, pa

As 80s thrillers go it's pretty smart to say the least.

The formula of this thriller (Drama) is not (was) new or even flag bearing as regards action set pieces and hide behind your hands suspense, yet it is still one of a kind for the genre and the decade it came from.

The plot is a sizzler as it involves the central theme of outsiders who are considered outside of the mainstream norm. To have a thriller involving the Amish community not only brings into focus how different folks' beliefs can be, but to also hit home at just how ignorant many are to the ways of minorities and what they stand for. So many great things about the movie stand out.

Harrison Ford is perfect, yes it's a perfect performance, his John Book is gruff and rugged yet as the story moves on he nails the endearment and knowing traits that the character calls for. Kelly McGillis is an actress who I feel drags down nearly all the films she leads in, yet here I forgive her because she is marvellous as Rachael, an Amish woman fighting her inner feelings as much as she is the bad outside world that wants to hurt her son.

Peter Weir IMHO is one of the most under praised modern day directors around (yes even now), and here his deft hands put the story together adroitly, whilst John Searle's cinematography is gorgeous and out of the top draw. It's an almost perfect movie as regards acting and the process of making a film, I do however fly in the face of popular opinion as regards the score, it doesn't work for me (I'm sad to say), Maurice Jarre's drawn out synth seems to me out of place for the setting we are watching, I personally would have liked a more subtle string arrangement - but that is me...

For those looking for a first time viewing in the Drama/Thriller genre then they can do no worse than seek this one out. It delivers on a plot front, and the ending doesn't pander to studio yearnings either. 9/10

The S/E DVD has a wonderful making of feature that is crammed full of quality input, and for Ford worshippers such as I, it contains none aloof input from the legend himself, that alone was worth the 5 Euros it cost me for this cracking film.

My Fiance is a Millennial and I've been trying to get her and her friends to watch some classic films. Some, Taxi Driver, Chinatown, The Godfather, Godfellas, The Princess Bride, Blazing Saddles were epic fails for a variety of reasons.

Witness actually stood the Millennial taste test for some reason, and this is significant because it is really hard to get them to watch or listen to anything that is older than 4 years.

That says something, I'm not sure what, but it was a film that they actually sat through.

It is also one of the tightest scripts Hollywood has produced, which is saying something since it was released in 1985 following almost a decade of the best movies that Hollywood has ever produced.

It's pure story, and that story is backed up with acting and directing making for a beautiful picture all around.

Filipe Manuel Neto

**An action film mixed with a guided tour of an Amish community.**

Here in Portugal, there are few religions other than the Catholic Church and there are no Amish, Mennonite or similar communities. Therefore, this curious religious community is an object of fascination for me and also of renunciation: to explain further, I radically disagree with their religious conceptions, I would never be part of such a religious congregation and, however, I find it fascinating, in today's world, the idea of ​​trying to have a simpler life, without excessive technology and in greater harmony with the natural rhythm. It would be a lifestyle that I wouldn't mind trying, even though I knew I would have difficulty adapting and living without access to the technologies that I work and entertain myself with.

In this film, we follow a police officer who, upon discovering a case of corruption in the ranks, finds himself on the verge of having to disappear to avoid being killed and to protect the only witness to a crime in which another police officer was murdered: an Amish boy who lives with his mother, a widow, and his maternal grandfather, in an isolated rural area that is not very receptive to visits from “the English” (as some of them call to the normal people in this film). In the midst of all this, the film shows us the habits, beliefs and customs of these strict religious communities who, out of appreciation for humility and simplicity, renounced everything that could be a luxury and live stoically from subsistence agriculture.

I won't go into considerations about the verisimilitude of the plot, but I believe that the script made an effort to create a convincing and reasonable story that we can believe in. It won the Oscar for Best Original Screenplay, which means something. What I can say is that, although the film is engaging, there are aspects that could be improved: the identity of the killers and villains could be kept a mystery for longer and, on the other hand, their motivations don't seem clear enough for me. Another aspect that was not clear was the fate of the young Amish widow's husband. The tension created between her and the congregation's elders could have been better explored, as well as the community's acceptance/rejection of the police officer.

Directed by Peter Weir, the film had serious difficulties in finding a studio willing to commit money to the project, and did not have great support from the Amish community, which not only rejects the capture of images but also fears being invaded by crowds of curious, eager of souvenirs and photographs. Technically, the film is exceptional: in addition to the good cinematography, excellent editing (another Oscar that won) and good action scenes, we have good sets and costumes, which perfectly recreate the environment in which the Amish live, and their simple ways of living. Negative note: Kelly McGillis's nude scene, in addition to being out of place in the film, doesn't fit into the story and seems gratuitous.

After many fantastic and sci-fi films, Harrison Ford got a different work, in a style that he would invest heavily in over the following decades: the action hero, with a pistol in hand and willing to do anything to save the day. The actor seems to be completely at ease with the task and gives us excellent work, fully deserving the Oscar nomination for Best Actor. Kelly McGillis doesn't do so well, but she does what needs to be done and doesn't deserve a negative rating. Danny Glover is a convincing villain.

CinemaSerf

When a young Amish boy "Samuel" (Lukas Haas) and his mum "Rachel" (Kelly McGillis) take a trip from their rural, largely agrarian, community into the big city he gets a little more than he bargained for - he witnesses the brutal murder of an undercover cop. The police decide the best way to protect him is to send him home to his family, accompanied by "John Book" (Harrison Ford), whist they await the trial. The perpetrators are on the hunt for him though, and it soon becomes clear that there is someone from within the investigation working with the baddies to track down and eliminate the witness. As an introduction to the lifestyle of this community, Peter Weir offers us quite an insightful assessment of a pacifist, technology free, society trying to live cheek by jowl with the relentless march pf progress and the teasing intolerance of their occasionally provocative neighbours. That they are wholly underprepared for what is coming when the location of the young lad is discovered, is an understatement - and this adds a great deal to the edginess of this thriller, as does the cunning game of cat and mouse amongst the grain silos at the end. There's romance too - as "Book" gradually falls for "Rachel" much to the chagrin of "Daniel" (Alexander Gudunov) which keeps the narrative progressing, albeit slowly, on that front, too. The script doesn't give Ford too much latitude when it comes to charisma - indeed, his characterisation is really rather dull and coupled with the serious paucity of verbiage from McGillis does hold the pace back for quite long chunks of the film. The years have not been especially kind to this - it has become more of a curio than any sort of gripping crime drama, but is still worth watching - and the 9 year old Hass is really rather impressive.

Original Trailer

Witness - Trailer

Witness Wins Film Editing: 1986 Oscars

Out of Africa and Witness Win Writing Awards: 1986 Oscars

Witness( 1985)

A big city cop. A small country boy. They have nothing in common... but a murder.

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A review by John Chard

Written by John Chard on Sun Jan 20 2019

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