Scarlett Johansson

Channing Tatum

Woody Harrelson

Ray Romano

Jim Rash

Anna Garcia

Donald Watkins

Noah Robbins

Christian Clemenson

Colin Woodell

Nick Dillenburg

Christian Zuber

Gene Jones

Joe Chrest

Stephanie Kurtzuba

Colin Jost

Dariusz Wolski

Peter Jacobson

Lauren Revard

Njema Williams

Gary Weeks

Todd Allen Durkin

Christian Grey Moore

Kade Pittman

Chris Vroman

Victor Garber

Kyle S. Brown

Bill Barrett

Robert Tinsley

Jonathan Lia

Keenan Flynn

Greg Berlanti

Harry Jierjian

Shane Valentino

David Batchelor Wilson

Artie Contreras

Sean Falkner

Kristen Nowotarski

Laura Wallgren

Mary Zophres

Lance Aldredge

Dawn Angeletti

Merc Arceneaux

Charmaine Balcerzak

Deborah Brozovich

Larraya Bynum

Amber Crowe

Lawrence Davis

Deborah La Mia Denaver

Dhyana Forte

Matthew W. Mungle

Mazena Puksto

Deborah Rutherford

Don Rutherford

Leo Satkovich

Derrick Spruill

Matt Sprunger

Haile Werntz

Christian Agypt

Cam Everson

Robert S. Hoffman

Sybil Kim

Bradley Parker

Davey Sawitzky

Rachel Argo

Lizbeth Ayala

Carolina Barros

Kip Bartlett

Rachel Bell

Michael C. Biddle

Jameson Buston

James Carson

Timothy M. Earls

Brett Fahle

Alan Farkas

Forest P. Fischer

Rusty Grimes II

Aaron Robert Hall

Deborah Jurvis

Blade Ladish

Victor James Martinez

David Moreau

Emmalee Muller

Nick Pelham

Rebecca Runyon

Philip Schneider

David Soukup

Sarah Stimpson

John Isaac Watters

Yu Kil-won

Shelley Zortman

Rob Disner

Laurent Kossayan

Christopher Mills

Matthew Nicolay

Kurdice Neal

Erick Ocampo

Keegan Osburn

Daniel Saxlid

Linda Yeaney

Matt Dengel

Lee R. LaCaille

Wayne Rowe

Jeremy Zamora

Darrell Hall

Amber Harley

Annie Thompson

Steven Docherty

Zabdiel Arocho

Andi Behring

Laura M. Blair

Stacey McGillis

Maida N. Morgan

Brooks Reynolds

Benjamin Sutton

James Troutman

Kaylee Karlik

Jenny Lindamood

Mallory Bradley

Lauren Driskill

Dustin Fletcher

Kristen Kadel

Aimee McCue

Romance

Comedy

Fly Me to the Moon

These Pictures

Berlanti Productions

Apple Studios

United States of America

English

nasa

affectation

romcom

moon landing

space race

nostalgic

1960s

apollo program

playful

absurd

hilarious

admiring

adoring

amused

audacious

awestruck

CinemaSerf

"Cole Davis" (Channing Tatum) is the launch director at Cape Canaveral and is charged with getting the Apollo 11 mission to the moon (and back!). Thing is, with the Vietnam war in full swing the public have rather lost interest in the space race with the USSR. Presidential adviser "Moe" (Woody Harrelson) hits on the idea of bringing in marketing specialist "Kelly" (Scarlett Johansson) to spruce things up and get the public - and the US Senate - more engaged with the project before it runs out of money and impetus. She's pushy and brassy and "Cole" hates her! Thing is, though, he also starts to realise that she's not half bad at the hoodwinking game and seems to be making some headway engaging sponsors and senators alike with the aspirations of Messrs. Armstrong and Aldrin to set foot in the Sea of Tranquility. With public interest piqued, "Moe" realises that the last thing they need is a flop, so he tells "Kelly" to create a moonscape and get in her favourite director - "Lance Vespertine" (Jim Rash doing his best Stanley Tucci) to essentially make their own, terrestrial, version of the landings that can be shown to the public should the worst case scenario actually occur. With her and "Cole" becoming closer and the launch date now imminent, it's soon clear that this isn't just a contingency plan - and that might finally present the unflappable "Kelly" with a moral dilemma she can't easily shrug off. What to do? It's quite entertaining, this, with Johansson clearly enjoying herself playing a myriad of parts within her character and there's a decent spark with the better than usual Tatum as the story swipes at politics (largely thanks to a playfully devious effort from Harrelson) and advertising whilst we learn that she is not quite the woman she seems to be. At times the writing is quite funny and the whole thing offers lunar conspiracy theorists (and the disbelieving Soviets) the perfect opportunity for the mother of wet dreams. There's plenty of rocket photography and though maybe just twenty minutes too long, this is one of Apple's better and more creative efforts. You just have to love that mischievous black cat at the end!

Not for me. I found <em>'Fly Me to the Moon'</em> to be a disappointment.

A sure sign of that being the case is that I don't have any positives for this movie. Well, OK, Scarlett Johansson is good, but there honestly isn't any other element to this that I can say I enjoyed. Johansson's co-star Channing Tatum feels miscast, I like the guy as an actor but here I didn't feel like he fit - visually his character didn't look or sound like someone out of the 1960s, in my eyes at least.

None of the support cast did anything for me either, though Woody Harrelson and Ray Romano are passable. Away from the cast, the story also didn't hold much interest for me. I feel like the moon landing bits, generally speaking, is all pretty standard and stuff we've seen before. The romance plot isn't merged in well, I didn't sense any chemistry between Johansson and Tatum. The music is also quite weak, almost TV-esque.

The run time is also too long, no way this 2024 flick needed to last over two hours! If I ignore all of that, then I guess I enjoyed it...

Louisa Moore - Screen Zealots

“Fly Me to the Moon” is so generic and sanitized that it feels like a blanket, sterilized television sitcom designed to appeal to the masses in middle America. Director Greg Berlanti‘s throwback romance has its moments, but even the chemistry between the leads a few flashes of creativity can’t save the overlong, draggy film.

Set against the backdrop of NASA’s historic Apollo 11 moon landing in 1969, former con artist Kelly (Scarlett Johansson) is hired by President Nixon’s clandestine staff member Moe (Woody Harrelson) to launch a marketing campaign on a mission that the White House has deemed too important to fail. Kelly has a huge job cut out for her, and her fiery personality, unconventional methods, and out-of-the-box ideas to fix the space agency’s public image wreaks havoc on the straight-laced launch director, Cole Davis (Channing Tatum). She’s in his way and is a major annoyance, but even Cole can’t deny the sparks that are flying whenever the two are in the same room.

The film works as a mid-level romantic comedy with Johansson and Tatum sharing an agreeable chemistry that, while not exactly electric, at least feels organic. Their playful banter and genuine affection shines, providing some of the film’s most enjoyable moments. It’s a classic odd couple pairing that adds much-needed comedic elements.

The script is messy and forgettable, with a lot of ineffective bids at humor. The most charming aspects are burdened by unnecessary subplots that detract from the main story, making the entire film feel far too long. Certain scenes drag on and on, especially when relying on clichés, predictable plot points, and tired tropes that fail to fully capitalize on the unique setting and wealth of historical context. So much more could’ve been done with this material in a much better way.

Although it provides some decent lighthearted entertainment, “Fly Me to the Moon” plays it so safe that it definitely falls short of its potential. It’s overstuffed and bland to a fault, struggling so mightily to be a crowd pleaser that it squanders most of the charm and authenticity that could have made it something truly special.

By: Louisa Moore / SCREEN ZEALOTS

Fly Me to the Moon( 2024)

Will they make history... or fake it?

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A review by CinemaSerf

Written by CinemaSerf on Fri Jul 05 2024

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