Jeff Bridges

Bruce Boxleitner

David Warner

Cindy Morgan

Barnard Hughes

Dan Shor

Peter Jurasik

Tony Stephano

Craig Chudy

Vince Deadrick Jr.

Sam Schatz

Jackson Bostwick

David S. Cass Sr.

Gerald Berns

Bob Neill

Ted White

Mark Stewart

Michael Sax

Tony Brubaker

Charlie Picerni

Pierre Vuilleumier

Erik Cord

Loyd Catlett

Michael Dudikoff

Richard Bruce Friedman

Rick Feck

John Kenworthy

Al Roelofs

Bruce Logan

Syd Mead

Donald Kushner

John B. Mansbridge

Dean Mitzner

Steven Lisberger

Rosanna Norton

Pam Polifroni

Wendy Carlos

Ron Miller

Roger M. Shook

Jeff Gourson

Harrison Ellenshaw

Bonnie MacBird

Jean Giraud

Richard E. Butler

Lee Minkler

Nedra Rosemond-Watt

Lorry Richter

James LaRue

Jeffrey Kleiser

Chris Wedge

John Beach

Craig Reynolds

Peg Hunter

Andrew Gaskill

John Norton

Frank Vitz

Darrell Rooney

Drew Struzan

Kenny Mirman

Roger Allers

Bill Kroyer

John Alvin

Gene Miller

Larry Malone

Liza Moon

Tim McGovern

Christopher Dusendschon

Don Baker

Kris Gregg

Jerry Rees

Nancy Hunter Campi

Bill Kovacs

Lynn Wilkinson

Chris Lane

Larry Elin

Art Durinski

Peter Mueller

Michael Peraza Jr.

William Dungan Jr.

Barry Cook

Patric Kenly

John Hughes

Tom Bisogno

John T. Van Vliet

Richard 'Dr.' Baily

Malcolm McMillan

Donald Leich

John Aardal

Elois Jenssen

Glenn R. Wilder

Larry Holt

Gary Epper

Walter Scott

Ross Reynolds

Fred Lerner

TRON Collection

Science Fiction

Action

Adventure

Tron

Lisberger/Kushner Productions

Walt Disney Productions

United States of America

English

hacker

video game

virtual reality

dystopia

simulation

super computer

utopia

computer simulation

simulated reality 

cyberspace

based on video game

bike racing

arcade game

light cycle

ambiguous

pac-man

An acquired taste. For me, someone who has no knowledge of computer programming and the sort, it's a very slow, tedious and boring watch.

<em>'Tron'</em>, unfortunately, didn't take my interest whatsoever. Not helped by the poor special effects (they get a pass due to it being an 1982 release; though I'm not convinced it's good either way) and forgettable cast performances, it's not a premise that's easy to get into if you have no prior understanding of coding etc.

There is some intrigue in there, but not nearly enough to satisfy my viewing pleasure - it felt like a much longer run time than 96 minutes, that's for sure. All cool if you love this, but I very much didn't. Hopefully the 2010 sequel gives the concept a major boost.

CinemaSerf

I saw this again yesterday - it's 40 years old! I didn't see it at the time, I was one of those kids who hadn't the slightest interest in "Space Invaders" nor did I ever have an Atari, but I do recall the fuss that was being made about Disney's first foray into the world of the emerging computer games market. Actually, the story is not so terrible. It's pretty derivative, with a quite handsome, young, 501-clad Jeff Bridges ("Flynn") out to avenge himself on the evil "Dillinger" (David Warner) who pinched some of his gaming ideas and subsequently rose through the company. Thing is, though, "Dillinger" has now designed a "Master Control Programme" (Think "Forbin Project" from 1970) and when "Flynn" tries to break into this system, he is reduced to a player in a game of survival where he encounters fellow rebels "Tron", "Ram" and "Lora". Adventures ensue as they must try to destroy this "MCP" before it bores of industrial aspirations, and sets it's sights on the Pentagon and the Kremlin. By any modern day standard, the graphics are linear and static - but there is no doubt that they were groundbreaking and quickly-paced for 1982. The use of light - blue and red for good and evil; the slightly over-exposed imagery to try and create the feeling of an alternative digital environment works well enough and though there isn't the slightest amount of jeopardy as to the ending, it's actually quite an entertaining 90-odd minutes that reminded me that every oak tree starts with an acorn. The attempts to incorporate technical or gaming language into the dialogue are a bit contrived, but there is a fun sequence with a "bit" that can only say yes and no as "Flynn" drives his wonky thing ("Max" from "The Black Hole" (1979), anyone?) through the maze of circuitry. Warner is not very convincing, it has to be said - he was rarely much good, I thought - but once it gets going it's an enjoyable piece of cinema nostalgia that looked quite reasonable on a big screen.

Filipe Manuel Neto

**Once avant-garde and innovative, this film feels archaic and old as an arcade game, and has an absolutely miserable script.**

I'm not sure what Disney was thinking when they decided to make this film, but I understand the concept and the reasons that led the studio to bet on something like this. In the 1980s, the creation and gradual massification of the computer (a huge box that we see in the movie and which is now primitive compared to the machines we use) generated a “fever” around computing and led to the creation of games that, later, the World Wide Web has taken it to another level. The movie came out when personal computers started to become popular in the US, but here in my country it took about fifteen years to happen. It's extraordinary to think about this, and how quickly things have evolved. I am thirty-two years old, I belong to a generation that still lived its childhood without technologies, but I was a teenager when they started to become something more visible in our lives. So I can understand why this movie was made, but being a Disney movie, I confess I was expecting better.

The film has an uninspired cast made up of third-rate actors. Among all the (almost) anonymous names, only David Warner stands out. The film also has one of the worst dramatic interpretations of Jeff Bridges' life. He was still young here, but the film's material and style didn't help him do a satisfying job. In fact, I blame the screenwriters for most of the film's problems, as they weren't able to come up with a decent story that would justify the feature film. The story that the film brings us is based on the journey of a human being inside the computer, where he will basically have to play and beat opponents. This is very little and it bores us quickly. It seems like a mere excuse for the studio to make an experiment in the field of CGI and the application of technology in cinema.

Where the film really bets heavily is on the visuals, heavily stylized and inspired by two obvious elements: the integrated circuits used in engineering and the colorful and (now) somewhat forgotten neon lights. In those late 1980s, neon was something that drew attention in the urban landscape, and there was no street or square where, at dusk, dozens of neon signs did not light up. It's something that has virtually disappeared in the last decade, but that gave the city a certain life. I confess that I felt some nostalgia when feeling the aesthetic influences of all that, but I recognize that the film tried to do something far ahead of its time: the Hollywood Academy itself refused to nominate this film for an Oscar because it considered that CGI was a form of cheating. And perhaps also because they did so early, the resources used were so rudimentary (even though they were the best there was) that they gave the film an extremely heavy and dated look, which aged very poorly. The same can be said of the sound effects and even that soundtrack, so dominated by the synthesizer.

Tron( 1982)

Journey now into a startling new dimension where energy lives and breathes. A world inside the computer where man has never been. Never before now.

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A review by r96sk

Written by r96sk on Tue Nov 10 2020

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