Cristiana Dell'Anna

David Morse

Giancarlo Giannini

John Lithgow

Romana Maggiora Vergano

Federico Ielapi

Virginia Bocelli

Rolando Villazón

Jeremy Bobb

Federico Castelluccio

Patch Darragh

Seán Cullen

Andrew Polk

Allen Lewis Rickman

Giampiero Judica

Kevin Tanski

Fausto Russo Alesi

Sam Bond

Montserrat Espadalé

Peter Lojacono

Sarah Santizo

Brian Ceponis

Eugenia Forteza

Leo Severino

Alejandro Monteverde

Brian Battles

Jonathan Sanger

Gabriele Forte

Corey Czerwinski

Timothy Limner

Jessica Wegrzyn

Aaron Fuoco

David Giesbrecht

Jesus Landin-Torrez III

Raul A. Erivez

Morrin Jermyn

Michael Hauer

Jodi Domanic

Shea Wolfe

Sean Haas

Erin Meegan

Corinne Bogdanowicz

Kash Costner

Cassie Elsaesser

Shannon Cook

Geoff Knight

Eric Boswell

Andrea Festugato

Sean Cassidy

Alisha Silverstein

Denise Chamian

Carlos Lagunas

Julie Schubert

Gene Back

Mary Ramos

Brian Scofield

Rod Barr

Nathan Ruyle

Francesca Cabrini

J. Eustace Wolfington

Gorka Gómez Andreu

Alexa Marcigliano

Blaise Corrigan

Heidi Germaine Schnappauf

Derrick Kardos

History

Drama

Cabrini

Santa Fe Films

Lupin Film

Lodigiano Film Development

Italy

United States of America

English

Italiano

new york city

immigrant

based on true story

19th century

1900s

impoverished

italian immigrant

christian faith

1890s

1880s

farcical

CinemaSerf

Cristiana Dell'Anna delivers strongly here as the eponymous nun determined to set up a network of orphanages in China to help the sick and impoverished children there. Her persistent hassling of the Vatican for permission - and funds - has finally wound them up to the point where she is invited to Rome to be finally told no. Even there, though, she's sticking to her guns and after a persuasive audience with Pope Leo XIII (Giancarlo Giannini) manages to get permission to prove her worth - only in New York! To it's slum and run-down Five Points district she is sent and what now begins is an adventure that tests her very mettle as the, at best indifferent, attitude of the Archbishop (David Morse) is more concerned with appeasing the Mayor (John Lithgow) than facilitating her wishes for profound change. It's curious that in a city founded by immigrants there existed such a polarity of the Italian, the Jewish and Irish communities offering little, if any, tolerance of the other. Cabrini realises that neither her religion nor her status as a nun is going to help her - she is going to have to recruit local urchins and fight for every scrap of progress. It's history, so we do know what ultimately happens but Alejandro Monteverde has produced a classy looking portrait that still imbues enough jeopardy into the proceedings as she struggles. Her single-minded determination, her bloody-mindedness - all tempered with huge amounts of humanity and decency are well portrayed here. This is a very good looking film, and the narrative also demonstrates clearly the diminished role of women in what purported to be an open and democratic society - American and Italian, and a class system that cared little for those who lived on the wrong side of the tracks. It's a bit long - there are moments that slow the pace down and drag the story, but in the main this is a poignant telling of the story of a woman who was prepared to sacrifice whatever was necessary for those less privileged.

A cracking movie!

I can't say I was expecting much from <em>'Cabrini'</em>, given I hadn't heard anything about it online or in real life - no trailers or anything of ilk. I was also <em><a href="https://letterboxd.com/r96sk/list/watched-in-an-empty-cinema/" rel="nofollow">alone in the cinema</a></em>, which is pleasing personally but is possibly a bad sign for a movie. In actuality, though, it's a great production! Supremely acted, astutely paced, some awesome visuals and a strong score.

The cinematography really is excellent, I lost count the amount of times I thought to myself "What a shot that is!". As for the acting, Cristiana Dell'Anna puts in a terrific lead performance - it's naturally, given I've only seen one or two Italian flicks, the first time I've seen her in anything, here's hoping she appears more in what I watch. Giancarlo Giannini also stood out to me. Good to see John Lithgow and David Morse, too.

A really nicely told (true!) story. The ~2hrs 20min run time truly flew by. I highly recommend checking this one out if you get the opportunity!

Brent Marchant

Providing care, comfort and compassion to the world’s downtrodden is undoubtedly a noble, if exhausting and often-frustrating, cause, especially when pleas for help go ignored or fall on deaf ears. Yet, every so often, someone comes along who tirelessly keeps on fighting for those less fortunate, as was the case with Italian immigrant Mother Francesca Cabrini (Cristiana Dell’Anna). Upon her arrival in New York in 1889, the diminutive but zealous nun from Lombardy set about her work to care for her fellow countrymen and women (especially orphaned and abandoned children) in desperate need of food, housing and medical care, the first charitable undertaking of what she envisioned becoming a worldwide network of such ventures. She successfully raised awareness of the plight of these emigrees by getting the attention of a New York Times reporter (Jeremy Bobb), an endeavor that garnered support for her efforts and challenged the prejudicial attitudes of the public and New York’s municipal government, including its bigoted, intolerant mayor (John Lithgow). And, through it all, she wrestled with personal health issues that hung over her for many years. Writer-director Alejandro Monteverde’s latest presents a detailed, well-told biography of a woman who wouldn’t give up at a time when the deck was stacked against her, both on the bases of her gender and nationality, as well as (in some cases) as a representative of the Church. The picture’s superb production design, fine period piece production values and gorgeous cinematography lend much to this release, as do the performances of Dell’Anna and Lithgow, along with a host of supporting characters. Despite these strengths, though, this slightly overlong offering has occasional problems with pacing, monodimensional character development, overdramatic elements (particularly in the soundtrack) and an underdeveloped back story. At the same time, however, “Cabrini” tells an inspiring and uplifting tale of someone who accomplished a lot but hasn’t really received the attention she’s due. This film helps to make up for that oversight while reminding us all that we can play a part in fulfilling her dream of genuinely creating an empire of hope for the world.

Cabrini( 2024)

Remember her name.

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A review by CinemaSerf

Written by CinemaSerf on Sun Mar 17 2024

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